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Let’s fire up the wayback machine and head to 1995, a simpler time, no doubt. Back when commuting by bus, trying to meet girls, and rapping about rapping were all viable rap song topics. Hell, this was still an era when rap groups were still a thing.
Enter The Nonce (stop giggling, UK heads): the Project Blowed–affiliated duo of Yousef Afloat and Nouka Basetype, who dropped their underrated debut World Ultimate on Rick Rubin’s American Recordings in the year of our lord nineteen hundred and ninety-five. Their breakout track “Mixtapes” became an underground classic, while the laid-back single “Bus Stops” got some well-deserved shine in the final moments before hip-hop’s harder elements took over.
Arriving at the tail end of rap’s second (or maybe third) golden era, World Ultimate fused the jazzy, head-nodding vibes of the Native Tongues with the sharp, freestyle freneticism of the L.A.’s Project Blowed scene.
On this week’s episode, the bros take a deep dive into World Ultimate to see how it holds up three decades later. Tune in, turn up, and decide for yourself if their takes are on point.
It's hard to imagine an album more well-respected than Goodie Mob's debut, Soul Food. It gets well-deserved love from rap enthusiasts from all over the map: the south, backpackers, people who like a little bit of spirituality in the mix, beat heads, lyric lovers, pretty much everyone. Goodie Mob never quite got the shine that their close compatriots Outkast did, and maybe that's part of the reason why underground fans still hold this album dear 30 years after its release.
This week on the show DBRP hosts David Ma, Demone Carter and Nate LeBlanc are examining this classic record which still sounds fresh after severl decades. After some contextual table setting, we use our patented rubric to try and assign numerical scores to our feelings about this work of art. We have done this several times, most prominently on our Beastie Boys series over the summer, but we have never had a final score result quite like this one before. Tune in!
Dad Bod Rap Pod is brought to you by Stony Island Audio.
his episode has a lot of moving parts. Imagine a Rube Goldberg Machine with interview snippets pinging around a maze of album reviews and blue balls jokes.
I (DEM) had the privilege of interviewing Radamiz right before his live set at the Midway SF. The audio is a little rough, rugged, and raw in spots, but the interview has the crackle of real-life human interaction. Interspersed between clips of the interview, me and the bros discuss the records that are in heavy rotation for us right now:
Jay Electronica's 4 Album Spasm
Live, Laugh, Love (Earl Sweatshirt)
The Years We Have Left (Theravada)
Sortilege (Preservation & Gabe Nandez)
Per usual thats me (DEM ONE) on the theme song alongside my birthday twin DJ Cutso. I produced this week's episode, and I'm not gonna lie, it kind of kicked my ass (in a good way).
If you're in a jeep and you dig what you're hearing, consider subscribing to our Patreon, where you can find 100s of hours of fly niche content. Patreon.com/DadBodRapPod
This week, we break format for a very, very special spin-off episode. DEM ONE and Blockhead reprise their sex/relationship pod, Talk Like Sex. On this edition of Two 40+ dudes discuss the misogyny meter on Freddie Gibbs' new record, lifetime Tinder bans, the ethics of dirty mackin’, and the different approaches to partner fulfillment. Sex, love, and music are discussed with fly nuance. It’s Talk Like Sex!
Episode produced by DEM ONE
Theme song produced by DJ Cutso
Dad Bod Rap Pod is a proud member of the Stony Island Audio Network
"If you've never walked through the woods listening to Nobody Beats the Biz then you ain't never heard hip-hop."
The above quote is from one of multi-talented poet/rapper/actor Saul Williams' earliest released tracks, but it could just easily serve as a thesis statement for this podcast. This week DBRP hosts Demone Carter, David Ma and Nate LeBlanc are thrilled to present a thought provoking conversation with Williams. We touch on his recorded work, his training, his acting in movies like the recent phenomenon Sinners, and his general artistic outlook.
Saul is a deeply reverent hip-hop head who grew up in the genre but is also not afraid to experiment in an attempt to transcend its strictures. We found his responses to be enlightening, and we hope you feel the same.
As always, if you would like to hear an extended version of this episode with music clips for the tracks referenced, please consider joining our Patreon at www.patreon.com/dadbodrappod
DBRP is a proud member of the Stony Island Audio podcast network, run by another charismatic multi-hyphenate. Catch Open Mike Eagle on tour now in a city near you!
Episode 328 Sour Times with guest DJ Haram
Show notes from the bleeding edge…
Far beyond the genteel pop music stylings that comprise our day-to-day listening environment, there exists a world of sound that refuses to be refined, restrained, or easily defined. This is the space that New York–based DJ Haram inhabits: her experimental style blends bass, Middle Eastern percussion, noise, and elements of indie rap. You can hear this in her collaborations with the boundary-breaking artists Armand Hammer and Moor Mother.
On this week’s episode of the Dad Bod Rap Pod, we talk with DJ Haram about her new album Beside Myself, out now on Hyperdub Ltd. She opens up about her musical evolution, personal politics, and reflections on mortality in an illuminating conversation.
The DJ Haram interview is framed by our intro and outro segments, where we highlight some of our favorite fringe and obscure records. Wade into the deep end with us.
Produced by Demone Carter, aka DEM ONE.
Theme song by Cutso, with lyrics by DEM ONE
Dad Bod Rap Pod is a proud member of the Stony Island Audio Network
Tracks mentioned in this episode:
Sometimes Care Looks Like Leave Me The Fuck Alone — Small Bill
Rounds — Four Tet
Murmations — Flock
Snaeha (Bang Bang) — Pan Pon
How Great Thou Art — Sensational Saints
Last Days of Being A Wanker — Lolina
Serious question: Where does the time go?
It feels like just yesterday I was nursing a New Year’s Eve hangover and wondering what 2025 would portend for rap releases. Now the year is three-fourths done, the holidays are around the corner, and there’s already a slew of music to talk about. On this week’s episode of Dad Bod Rap Pod, the three bad brothers you know so well share their favorite rap records of 2025 (thus far). Think of it as our mid-year retrospective, except we’re submitting it three months late, real high school vibes.
The big takeaway is this: rap music is alive and thriving in 2025, especially indie rap. Did your favorite new album make the DBRP top nine? Tune in to find out, fam.
Spoiler alert: the album of the year is still billy woods – Golliwog. But we also break down nine other releases from this year that are damn good, if not great.
Program note: We recorded this episode about three weeks ago, before excellent records like Evidence’s Unlearning Vol. 2 and Earl Sweatshirt’s Live, Laugh, Love dropped. So you won’t hear us talk about them here, but trust we’ve listened and will have plenty to say by year’s end. If you’re the type who likes to keep up week by week, I invite you to join our Patreon at Patreon.com/dadbodrappod. That’s where we post weekly bonus segments that are more topical.
In any event, I hope your year is going well, all things considered.
-DEM
This week’s episode was produced by Demone Carter (a.k.a. DEM ONE).
Theme song by DEM ONE and DJ Cutso. Dad Bod Rap Pod is a proud
member of the Stony Island Audio Network!
We've got a really big show for you this week. We have had the pleasure of interviewing Slug (and Ant, but never both together) of Atmosphere a few times. Atmosphere never quite got bigger than The Beatles (or breast implants) but there is no denying that over the last 30 years they have proven themselves to be one of the most consistent and prolific independent hip-hop groups of all time. Both gentlemen display a deep musical knowledge in their work, and on today's program we chat with Slug about his "easter egg" references, his connection with the storied concert venue Red Rocks, wellness on tour, and of course Atmosphere's next album, Jestures. Though the album will not drop for a few weeks, we preview its unique development process. Ant and Slug "gamified" their production on this record, making one song for each letter of the alphabet, one at a time, A-Z. Inspired by this approach, DBRP hosts Demone Carter, David Ma and Nate LeBlanc recorded their longest intro segment ever, riffing on 26 rappers and their careers, also in alphabet (aerobics) order. I think it's pretty safe to say that you have never heard a podcast episode quite like this. Huge thanks to Slug for joining us, it was a real pleasure to speak with someone so thoughtful and self-deprecating while also being pretty darn successful in this niche of hip-hop that we we care about. Please catch Atmosphere on the Dank Days of Summer Tour with Cypress Hill, Lupe Fiasco and the Pharcyde, coming soon to a town near you.
Dad Bod Rap Pod is bought to you by Stony Island Audio, the podcast network that values being "underground" for so long that the term loses all meaning.
Sometimes the curatorial bent of this show comes from a deep curiosity about the people behind the music we love. The question “What’s their deal?” often sparks the journey toward a great interview. Patience is also part of the process because tracking down the artists we want to pepper with questions isn’t always easy, and it doesn’t always fit neatly into our recording schedule.
This week’s interview with producer August Fanon has been a long time coming, and it was well worth the wait. He was gracious and open as he spoke with us about his journey as a producer, his creative process, and the sources of his inspiration.
In the intro, we share some of our favorite August Fanon productions, and in the outro, we discuss the best Fanon-plus-rapper collaborations. We hope you enjoy this conversation with one of the most interesting figures in indie rap.
If you want to hear the deluxe version of this episode, please consider subscribing to our Patreon!
patreon.com/dadbodrappod
Every once in a while we are lucky to enough to be able to speak to a true hip-hop legend, and today is one of those occasions. Dad Bod Rap Pod hosts David Ma, Demone Carter and Nate LeBlanc are thrilled to be talking to and about Lord Finesse on this week's episode.
Lord Finesse made three highly influential albums as an artist in the 90's and continues to impact the culture as a respected DJ and producer today. He is here to promote his latest album The SP1200 Files: Sounds & Frequencies In Technicolor. We caught up with Ness in his studio where he was busy working on remastering his classic debut The Funky Technician. As always, we also dive into his history, we think even a dedicated DITC head will learn something new from this interview.
An extended version of this episode, along with hundreds of hours of bonus commentary, playlists, mixes, and a thriving community of rap nerds is available on our patreon: www.patreon.com/dadbodrappod
DBRP is brought to you by Stony Island Audio.
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