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Despite barbed quips about the impossibility of writing about music, people have been at it, successfully, for thousands of years, from Plato in ancient Greece until today. Many composers, too, have felt the need to set down in writing their musical credos; composers like Berlioz and Debussy have themselves been great writers about music. And then, what about the literary representations of music in passages which so clearly and evocatively describe what it's like to listen to music, which manage to articulate the emotions music so readily arouses but we find so hard to describe?
So is writing about music really like dancing about architecture? No, says Tom Service. But clunky, not-quite-worked through metaphors are definitely best avoided.
David Papp (producer)
By BBC Radio 34.1
5555 ratings
Despite barbed quips about the impossibility of writing about music, people have been at it, successfully, for thousands of years, from Plato in ancient Greece until today. Many composers, too, have felt the need to set down in writing their musical credos; composers like Berlioz and Debussy have themselves been great writers about music. And then, what about the literary representations of music in passages which so clearly and evocatively describe what it's like to listen to music, which manage to articulate the emotions music so readily arouses but we find so hard to describe?
So is writing about music really like dancing about architecture? No, says Tom Service. But clunky, not-quite-worked through metaphors are definitely best avoided.
David Papp (producer)

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