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With sixteen albums and five Grammys under her belt, Angélique Kidjo doesn’t need much of an introduction. She’s back in Australia to perform songs from her 2021 album Mother Nature as well as gems from her catalogue that highlight her infectious energy, dazzling array of influences and multi-language pop music. Supporting most of her tour is Maatakitj (the stage name of Noongar song-maker, composer, and academic Clint Bracknell). In this special double-header interview Angélique and Clint reflect on performing in languages most of their audience don’t understand, whether music can be an ambassador, and why it’s more important than ever for us to dance.
Mezzo-soprano Anna Dowsley makes her home in Germany’s opera houses these days, but she’s back on her home soil for a run of concerts with the pianist Michael Curtain, tackling a body of work called Cabaret Songs by American composer William Bolcom and the late “theatre poet” Arnold Weinstein. Even though they were written in the 70s and 80s, these songs have something distinctly 1930s about them, but also a sharp contemporary wit. Anna and Michael join Andy in studio to play selections from Cabaret Songs live and delve into this eccentric collection.
5
44 ratings
With sixteen albums and five Grammys under her belt, Angélique Kidjo doesn’t need much of an introduction. She’s back in Australia to perform songs from her 2021 album Mother Nature as well as gems from her catalogue that highlight her infectious energy, dazzling array of influences and multi-language pop music. Supporting most of her tour is Maatakitj (the stage name of Noongar song-maker, composer, and academic Clint Bracknell). In this special double-header interview Angélique and Clint reflect on performing in languages most of their audience don’t understand, whether music can be an ambassador, and why it’s more important than ever for us to dance.
Mezzo-soprano Anna Dowsley makes her home in Germany’s opera houses these days, but she’s back on her home soil for a run of concerts with the pianist Michael Curtain, tackling a body of work called Cabaret Songs by American composer William Bolcom and the late “theatre poet” Arnold Weinstein. Even though they were written in the 70s and 80s, these songs have something distinctly 1930s about them, but also a sharp contemporary wit. Anna and Michael join Andy in studio to play selections from Cabaret Songs live and delve into this eccentric collection.
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