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Let’s rewind to 1988. Metal underwent a massive transformation, with flashy glam metal and its catchy hooks coexisting alongside darker, more intense sounds on MTV’s Headbangers Ball. Enter Glenn Danzig, fresh from his work with Misfits and Samhain, who was about to turn the metal world on its head with his new project. This shift was catalyzed by the involvement of legendary producer Rick Rubin, who signed Danzig to his label, Def American Recordings. Rubin, known for his work with diverse acts from Slayer to the Beastie Boys, recognized the unique potential in Danzig’s vision. Released in 1988, Danzig’s self-titled album brought a brooding, blues-infused metal sound unlike anything else. Recorded at Atlantic Recording Studios in New York City, the album blended raw power and dark, occult themes, setting a new standard for the genre.
😎 Happy we’re shining a light on this band? Say thanks with a tip! →
Danzig’s debut album is a masterclass in creating atmosphere and intensity. Take the opening track, “Twist of Cain.” It hits you with heavy, riff-driven soundscapes that instantly pull you into the album’s dark world. The song sets the stage with powerful guitar work and Danzig’s deep voice. Then there’s “Not of This World,” a track that explores themes of alienation and otherworldliness, perfectly encapsulating the band’s gothic aesthetic. The relentless rhythm and eerie lyrics create an atmosphere of mystery and foreboding, making it stand out on the record.
One of the most iconic tracks is “Mother.” It’s an anthem of rebellion and defiance, with a straightforward structure and unforgettable chorus that catapulted it into mainstream success. This song alone helped solidify Glenn Danzig’s place in rock history. But the album doesn’t stop there. “She Rides” slows things down but keeps the intensity alive with its hypnotic rhythm and darkly sensual lyrics, showcasing the bluesy influence that permeates the album.
“Soul on Fire” is another gem, combining haunting melodies with fierce guitar lines to create an atmospheric and intense track. Each song on this album isn’t just a listen; it’s drawing you deeper into the gothic and occult themes that Glenn Danzig is passionate about. His fascination with the occult and gothic literature bleeds through every track, making this album a dark journey you won’t forget.
The impact of Danzig’s debut album goes beyond just its immediate success. This album carved out a niche in the metal genre that blended bluesy riffs, gothic undertones, and powerful vocals. Glenn Danzig’s charismatic presence and the band’s tight performance created a new standard for metal. It’s no wonder that tracks like “Mother” continue to resonate with new generations of fans. The album’s success paved the way for Danzig’s future works, solidifying his legacy as a metal icon.
Songs in this Episode
* Intro - Evil Thing
* 22:59 - Twist of Cain
* 25:38 - Mother
* 27:35 - Possession
* 28:48 - Evil Thing
* 31:10 - In My Time of Dying (Led Zeppelin)/Twist of Cain
* 31:43 - Falling Apart at the Seams (Cinderella)
* 33:03 - Soul on Fire
* 34:56 - End of Time
* 41:57 - The Hunter (Albert King)
* 42:13 - The Hunter
* 42:40 - The Hunter
* 59:18 - She Rides
* Outro - Out of This World
Make Your Metal Voice Heard!
In our quest to explore the depths of 80s metal, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.
Suggest an Album → | Support the Mission →
By Beyond the hits—exploring the albums, bands, and moments that shaped 80s metal5
1212 ratings
Let’s rewind to 1988. Metal underwent a massive transformation, with flashy glam metal and its catchy hooks coexisting alongside darker, more intense sounds on MTV’s Headbangers Ball. Enter Glenn Danzig, fresh from his work with Misfits and Samhain, who was about to turn the metal world on its head with his new project. This shift was catalyzed by the involvement of legendary producer Rick Rubin, who signed Danzig to his label, Def American Recordings. Rubin, known for his work with diverse acts from Slayer to the Beastie Boys, recognized the unique potential in Danzig’s vision. Released in 1988, Danzig’s self-titled album brought a brooding, blues-infused metal sound unlike anything else. Recorded at Atlantic Recording Studios in New York City, the album blended raw power and dark, occult themes, setting a new standard for the genre.
😎 Happy we’re shining a light on this band? Say thanks with a tip! →
Danzig’s debut album is a masterclass in creating atmosphere and intensity. Take the opening track, “Twist of Cain.” It hits you with heavy, riff-driven soundscapes that instantly pull you into the album’s dark world. The song sets the stage with powerful guitar work and Danzig’s deep voice. Then there’s “Not of This World,” a track that explores themes of alienation and otherworldliness, perfectly encapsulating the band’s gothic aesthetic. The relentless rhythm and eerie lyrics create an atmosphere of mystery and foreboding, making it stand out on the record.
One of the most iconic tracks is “Mother.” It’s an anthem of rebellion and defiance, with a straightforward structure and unforgettable chorus that catapulted it into mainstream success. This song alone helped solidify Glenn Danzig’s place in rock history. But the album doesn’t stop there. “She Rides” slows things down but keeps the intensity alive with its hypnotic rhythm and darkly sensual lyrics, showcasing the bluesy influence that permeates the album.
“Soul on Fire” is another gem, combining haunting melodies with fierce guitar lines to create an atmospheric and intense track. Each song on this album isn’t just a listen; it’s drawing you deeper into the gothic and occult themes that Glenn Danzig is passionate about. His fascination with the occult and gothic literature bleeds through every track, making this album a dark journey you won’t forget.
The impact of Danzig’s debut album goes beyond just its immediate success. This album carved out a niche in the metal genre that blended bluesy riffs, gothic undertones, and powerful vocals. Glenn Danzig’s charismatic presence and the band’s tight performance created a new standard for metal. It’s no wonder that tracks like “Mother” continue to resonate with new generations of fans. The album’s success paved the way for Danzig’s future works, solidifying his legacy as a metal icon.
Songs in this Episode
* Intro - Evil Thing
* 22:59 - Twist of Cain
* 25:38 - Mother
* 27:35 - Possession
* 28:48 - Evil Thing
* 31:10 - In My Time of Dying (Led Zeppelin)/Twist of Cain
* 31:43 - Falling Apart at the Seams (Cinderella)
* 33:03 - Soul on Fire
* 34:56 - End of Time
* 41:57 - The Hunter (Albert King)
* 42:13 - The Hunter
* 42:40 - The Hunter
* 59:18 - She Rides
* Outro - Out of This World
Make Your Metal Voice Heard!
In our quest to explore the depths of 80s metal, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.
Suggest an Album → | Support the Mission →

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