*Programming note: This is a rebroadcast.

You can learn much about a media and political culture by examining when it panics, and who it panics about. And we’ve always panicked about video games, from the early arcades until this very day. Whether you are a prudish Christian conservative, or a concerned liberal-minded paternalist, demonizing video games has long been good politics.

On this episode: guest host and lead producer Jay Cockburn travels back to the 90s, and looks at the story of Mortal Kombat. The game was violent, gory, glorious. It was a youth rebellion in miniature. Parents rebelled against the rebellion, staging their own petulant counter-revolution, and politicians embraced it. It  triggering a moral panic and even congressional hearings into violence in games. But why did it happen, who did it serve, and what does it tell us about our own culture?

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To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly. And if you haven’t already, subscribe to our show wherever you get your podcasts.

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We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters.

—————————-CREDITS—————————-

This week, Darts and Letters is hosted and edited by Jay Cockburn, who is also our lead producer. Our editor and usual host is Gordon Katic. Our managing producer is Marc Apollonio.. David Moscrop wrote the show notes.

Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor. This is also part of a wide project about the emerging politics of video games housed at UBC with advice from Lennart E. Nacke at the University of Waterloo.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

Guest host (and regular lead producer) Jay Cockburn gets ready to enter the world of e-sports, with a lesson in Super Smash Bros from a top player and professional coach. Find out why he won’t make it (spoiler alert: he doesn’t have that reaction time he used to); but also, find out why he might not want to make it. Unfortunately, e-sports have many of the problems that ‘real’ sports do, and some are even worse. E-sports have lower pay, more stringent IP regimes, singular corporate control, and less labour organizing. However, could things be changing? Jay talks to Alexander Lee, esports and games reporter at Digiday. He takes us through the booming world of esports: the good, the bad, the repetitive stress injuries, and what to do about it.

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We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content. Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].

—————————-CREDITS—————————-

Darts and Letters is usually hosted and edited by Gordon Katic. This week, our lead producer Jay Cockburn hosted. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.

Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

This episode had support from the Social Sciences and Humanities Research Council. It is was part of a wide project about the emerging politics of video games housed at UBC with advice from Lennart E. Nacke at the University of Waterloo.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.

College athletes are workers, and they deserve to get paid. They put their bodies and futures on the line for the profit of their schools,  without seeing real compensation for their labour. However, things are changing. For instance, a 2021 Supreme Court decision upholding a lower court decision that found the NCAA were being anti-competitive in capitalizing on the name, image, and likeness of their players, while not letting the players do the same. Plus, a November memo from the National Labor Relations Board that noted student-athletes have been misclassified as ‘student athletes’ – they are, in fact, employees with a right to organize. On this episode of Darts and Letters, we go downfield to look at university labour and the battle for union rights.

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——————-SUPPORT THE SHOW————————-

We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.

Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].

—————————-CREDITS—————————-

Darts and Letters is hosted and edited by Gordon Katic. The lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.

Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

This episode had support from the Social Sciences and Humanities Research Council. It was part of a wider project looking at neoliberal educational reforms. The lead is Dr. Marc Spooner at the University of Regina and Franklynn Bartol at the University of Toronto. They provided research and advising on this episode.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.

Has the pandemic taught us anything? As we look forward and imagine what the future might look like, we like to think ‘next time will be different.’ But, if we don’t take a serious look back, it won’t. Not as long as the people who made this pandemic so bad face zero consequences. In this episode of Darts and Letters, John Nichols says it’s time for a COVID reckoning. His new book is Coronavirus Criminals and Pandemic Profiteers: Accountability for Those Who Caused the Crisis. Nichols, who is also national affairs correspondent of the Nation, retraces his reporting – revealing how so many suffered while others made out like gangbusters. Plus, we ask: could it have been different?

——————PROGRAMMING NOTE——————

There will be an extended video version of this interview on our YouTube channel this Monday. Subscribe today, if you don’t already.

——————-FURTHER READING AND LISTENING——————

——————-SUPPORT THE SHOW————————-

We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.

Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].

—————————-CREDITS—————————-

Darts and Letters is hosted and edited by Gordon Katic. The lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes. Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

This is a production of Cited Media. We produce this program in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.

Welcome to 21st century  techno-utopianism. Driven by a new tech-bro/crypto culture, supported by online hordes of true believers, and couched in philosophies of meritocracy and technocracy, techno-utopianism is born anew. But this thinking, while different, is not really new. As Darts and Letters sets out on a series of episodes to explore the persistent belief that technology will save us, we start by looking back to past utopias: rising, shimmering images of a future of wonder and plenty, out towards the horizon. For that, we visit the world’s fairs of techno-utopias past.

——————-FURTHER READING AND LISTENING——————

——————-SUPPORT THE SHOW————————-

We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.

Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].

—————————-CREDITS—————————-

Darts and Letters is hosted and edited by Gordon Katic. The lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.

Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

This is a production of Cited Media. This episode received support from the Social Sciences and Humanities Research Council of Canada. It is the first in a series of episodes on techno-utopianism. We had research advising from Professor Tanner Mirrlees at Ontario Tech University and Professor Imre Szeman at the University of Waterloo.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.

Last year was a rough one for academia – inauspicious, to say the least. The Covid-19 pandemic wreaked havoc on students, universities lurching between open and closed, leaving students strained and uncertain about their futures, and stuck in Zoom classrooms. Meanwhile, mental health struggles soared. Students paid full tuition price for this cut-rate experience. On the research side, there have been at least 72 retracted papers on Covid-19 and a total of 32,000 retractions. And, of course, universities themselves kept alive their long, esteemed tradition of operating like cartels – with a handful of them facing a lawsuit for alleged violations of antitrust law related to the amount of financial aid they paid out.

All of that is bad. But wait – there’s more! In this episode of Darts and Letters, we take two of the most frustrating aspects of the  higher education world: endless culture wars around free speech and identity, and the continued corporatization of the curriculum.

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——————-SUPPORT THE SHOW————————-

We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content. This week, our subscribers get a bonus interview with Jeff Beall, the founder of Beall’s List.

Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].

—————————-CREDITS—————————-

Darts and Letters is hosted and edited by Gordon Katic. The lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.

Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

This is a production of Cited Media. This episode received support from the Social Sciences and Humanities Research Council of Canada. It was  part of a wider series of episodes about neoliberal educational policies. The lead researcher is Franklynn Bartol at the University of Toronto and our academic advisor is Dr. Marc Spooner at the University of Regina.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.

Happy new year! We’re a few days behind, but as we catch up after the holidays and prepare to enter the third year of the plague, we wanted to bring you a few resolutions from, and for, the left by way of the Darts and Letters team and a handful of our past guests.

This episode features offerings from:

——————-SUPPORT THE SHOW————————-

We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.

Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected].

—————————-CREDITS—————————-

Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.

Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.

In this bonus episode, host Gordon Katic speaks with Ben Teitelbaum, author of a fascinating new-ish book called War for Eternity. He spent over 20 hours with Steve Bannon, as well as a wider network of far-right thinkers and strategists. Honestly, the things they say will surprise you. These proto-fascist thinkers of today are Traditionalists, with a capital T. They’re nothing like old-school conservatives; they have a lot more in common with hippies and new age gurus than people like William F. Buckley. We touched on this school of thought in the last episode, but in this bonus episode we really dig in. Why do their bizarre ideas appeal, and what can we do to combat them?

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This is a bonus episode. And for now, they’re free. Patrons get them a day early, but they’re kind of irregular. We’ll make them every week if enough of you chip in. Go to Patreon.com/dartsandletters.

And if you can’t do that, please do us a favour and help us get this show to more people. The best way you can help is to share this with a friend. You can also rate and review Darts and Letters on whatever podcast platform you use.

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To stay up to date, follow us on Twitter and Facebook. If you’d like to write us, email [email protected] or tweet Gordon directly.

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Setting goals for the new year? Learning a language? Going for a run? Delivering food? Picking packages off a warehouse shelf for delivery? There’s a game for that. Or, at least, a gamified system designed to nudge you in a series of pre-programmed directions in the service of the state, techno-capitalist overlords, or any number of other groups and entities that chart the course of our hyper-connected, cutting-edge, dystopian 21st century lives. This week on Darts and Letters, guest host Jay Cockburn and our guests take us through gamification of…everything.

Also, on a quick programming note: host Gordon Katic is off this week and we are all off next week for the holidays. Happy holidays! We’re back ahead of the new year on our regular programming schedule.

——————-FURTHER READING AND LISTENING——————

——————-SUPPORT THE SHOW————————-

We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content. Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.

—————————-CREDITS—————————-

Darts and Letters was hosted and produced this week by Jay Cockburn, with editing from Gordon Katic. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes. Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

This is a production of Cited Media. And we are backed by academic grants that support mobilizing research and democratizing the concept of public intellectualism. The founding academic advisor of the program is Professor Allen Sens at the University of British Columbia. This episode was also a part of a wider series looking at the politics of video games housed at the University of British Columbia and Waterloo University. It was given support by the Social Sciences and Humanities Research Council.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.

As we prepare for a series of 2021 retrospectives looking at the highs and lows of the year, the bests and the worsts, Darts and Letters is embracing the chaos, looking to the printed word, and scouring the stacks to find the dumbest books that found their way to print. We did not have to look far. In fact, the hard part was choosing from a bursting cornucopia of awful. In the spirit of the new year, this week we feature a roundtable with three guests and two call-in friends, each of whom makes the case as to why their book is the dumbest of 2021.

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Listen to Matt McManus’ podcast PillPod and have a look at his book The Rise of Post-Modern Conservatism: Neoliberalism, Post-Modern Culture, and Reactionary Politics. Plus, see more of his work at Jacobin.

——————-SUPPORT THE SHOW————————-

We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.

Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.

—————————-CONTACT US————————-

To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel, where some videos of these interviews will be available next week.

If you’d like to write to us, email [email protected] or tweet Gordon directly.

—————————-CREDITS—————————-

Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.

Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.

Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.