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For years, abortion rights advocates have worried about the United States drifting towards abolishing Roe vs. Wade. Could this be the moment? The Trump-heavy, right-wing, partisan Supreme Court is hearing a challenge to Mississippi’s ban on abortion after 15 weeks in Dobbs v. Jackson Women’s Health Organization. The court may overturn two decades’-old decisions–Roe v. Wade and Planned Parenthood v. Casey–that protect the right to an abortion. At the same time, a Texas case that bans abortions after six weeks is also making its way through the court. On this episode of Darts and Letters, we look at the road from Roe: years of court cases and anti-choice activism that have led to the current showdown that threatens the right to choose.
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——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel where you can see interview videos. If you’d like to write to us, email [email protected].
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. This week’s assistant producer is Ren Bangert. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This is a production of Cited Media. And we are backed by academic grants that support mobilizing research and democratizing the concept of public intellectualism. This episode is part of a wider project that supports episodes on the rise of far-right political ideologies. This project is supported by professors André Gagné at Concordia, Ronald Beiner at the University of Toronto and A. James McAdams at the University of Notre Dame. The research assistants on these episodes were Isabelle Lemelin and Tim Berk.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
Canada’s intellectual culture is now like a barren soil that struggles to give life to even the simplest flora. They’re just not that smart. We make too many right wing cranks, self-help charlatans, blood-thirsty reactionaries, insipid centrists, and third-rate Hayekians. But which are our worst? We invite our new friends from the Harbinger Media Network to help scour the national intellectual wasteland to find Canada’s dumbest public intellectual. The idea is simple: each guest makes the case for why their pick is the best at being the worst. Plus, Andre Goulet talks about the Harbinger Network and the state and future of left podcasting in Canada.
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——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel, where some videos of these interviews will be available next week.
If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our managing producer is Marc Apollonio.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
Note: Hey all, We’re on break this week as we rest up and prepare for more top-notch programming, so this week’s episode is a rebroadcast of one of our favourites.
It’s stardate 99040.01 and lead producer Jay Cockburn is temporarily taking over command of Darts and Letters for an episode. This week we enter the world of science fiction, revealing how it’s long been a vehicle for radical thought We dig into post-scarcity, Afrofuturism, and feminist speculative fiction as we set our phasers to fun and go where no podcast has gone before.
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—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic; this week our guest host and lead producer is Jay Cockburn. Gordon Katic is our editor. Our managing producer is Marc Apollonio. Our research assistants this week are Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
Why are there so many war games? They exploded in popularity post 9/11. Maybe you’ve played some of them. Or all of them. SOCOM: US Navy Seals. Call of Duty. Battlefield. Splinter Cell—and the entire deep library of Tom Clancy games. There’s plenty more, too. This ain’t just a story about the free market and our own proclivities—it’s the state. Games have a long history of being developed by, with, and for the military. From the earliest DARPA-funded projects at public universities, to today’s DOD-subsidized military/corporate partnerships. This week on Darts and Letters, Tanner Mirrlees, associate professor in the Communication and Digital Media Studies Program at Ontario Tech University and author of Hearts and Mines: The US Empire’s Culture Industry, joins us as we plunge headlong into the history of the militainment industrial complex, to understand the militarization of gaming and the gamification of war.
——————-FURTHER READING AND LISTENING——————
——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel, where some videos of these interviews will be available next week.
If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This is a production of Cited Media. And we are backed by academic grants that support mobilizing research and democratizing the concept of public intellectualism. The founding academic advisor of the program is Professor Allen Sens at the University of British Columbia. This episode was also part of a wider series looking at the politics of video games, funded by the Social Sciences and Humanities Research Council, and housed at the University of British Columbia and Waterloo University.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel, where some videos of these interviews will be available next week.
If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This is a production of Cited Media. And we are backed by academic grants that support mobilizing research and democratizing the concept of public intellectualism. The founding academic advisor of the program is Professor Allen Sens at the University of British Columbia.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
You can’t have a functioning democracy without a trusted media. That fact explains the state of U.S. democracy, at least in part. The United States has the lowest rate of media trust in the industrialized world, with just under a third of respondents in a 2020 Reuters poll saying they trust the media they consume. But whose fault is it? And, is the media even trustworthy? A string of failures suggest otherwise: weapons of mass destruction, the global financial crisis, Brexit, Russiagate, and plenty more. This week on Darts and Letters, we talk to two media critics about the shortcomings of the fourth estate.
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We’re excited to share that we’re now officially a part of the Harbinger Media Network. Harbinger is home to several left-wing podcasts in Canada, including Alberta Advantage, Nora Loreto’s Take Back the Fight, and Paris Marx’s Tech Won’t Save Us.
——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content. For instance, next week we’ll have the full unedited video interview with Michael Tracey on our page for our Patreon subscribers. So, if you want to see that, join today.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel, where some videos of these interviews will be available next week. The full uncut Michael Tracey interview will only be on Patreon, though (thanks, Patrons!).
If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This is a production of Cited Media. And we are backed by academic grants that support mobilizing research and democratizing the concept of public intellectualism. The founding academic advisor of the program is Professor Allen Sens at the University of British Columbia.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
We’ll save the Moby Dick puns for the episode itself, but suffice it to say that sinister game developers are on a whale hunt. This episode is about the sophisticated psychological tactics they use to hunt and capture their prey. Free to play mobile games as glorified slot machines, in-game purchases even for triple-A titles, game design that keep gamers hooked to their rigs. These practices are often exploitative and, for some who fall victim to them, devastating. Some countries, like China, are pushing back. But their restrictions are overbearing and unlikely to work as people skirt the restrictions. There are better ways. On this episode of Darts and Letters, we take a journey to save the whales.
——————-FURTHER READING AND LISTENING——————
—————————-SOME NEWS————————-
We’re excited to share that we’re joining the Harbinger Media Network. Harbinger is home to several left-wing podcasts in Canada, including Alberta Advantage, Nora Loreto’s Take Back the Fight, and Paris Marx’s Tech Won’t Save Us.
——————-SUPPORT THE SHOW————————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel, where some videos of these interviews will be available next week.
If you’d like to write to us, email [email protected] or tweet Gordon directly. And if you haven’t already, subscribe to our show wherever you get your podcasts.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn and our assistant producer this week was Jason Cohanim. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This episode received support from the Social Sciences and Humanities Research as part of a project that funded us to look at the politics of video games. It’s housed at the University of British Columbia & the University of Waterloo.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
Right wing money in academia is pervasive and influential. Libertarian-minded billionaires like the Kochs and their partners have funded scholars and think tanks across the US, and similar things go on in Canada too. The money shows us that the right spends it because they care about education. Maybe not in the classic way—higher learning, enlightenment, the pursuit of Truth or truth or whatever you want to call it. They care about education because they believe it can change the world. It’s an investment, and big money expects a return. Lucky for them, and unlucky for the rest of us, universities are happy to sell out. On this episode of Darts and Letters, we explore big money and its corrosive influence on academic freedom and academic integrity.
——————-FURTHER READING AND LISTENING——————
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel, where videos of these interviews will be available next week.
If you’d like to write to us, email [email protected] or tweet Gordon directly. And if you haven’t already, subscribe to our show wherever you get your podcasts.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn and our assistant producer this week was Jason Cohanim. Our managing producer is Marc Apollonio. David Moscrop is our research assistant and wrote the show notes. We had research and advising from Franklynn Bartol and Professor Marc Spooner.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of neoliberal educational reforms. Professor Marc Spooner at the University of Regina is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.
Programming note: It’s Major League Baseball postseason and Darts and Letters is (coincidentally) on a break this week. In honour of the playoffs, we’re running one of our favourite episodes — one fit for the season.
America’s national pastime is being taken over by a woke mob and a global communist cabal. So say the Republicans. If only…! Racism, conservative nostalgia, and economic exploitation is baked into the MLB. We discuss what’s wrong with baseball, why baseball matters, and what needs to be done to fix it.
——————-FURTHER READING & LISTENING——————-
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, our assistant producer is Ren Bangert and our chase producer is Marc Apollonio. Our research coordinator is David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
There’s a foreign policy intellectual blob that serves as the architects for empire. They’re at academic departments, quasi-academic think tanks, and places like the RAND Corporation–famously lampooned in Dr. Strangelove as the BLAND Corporation. These boring calculator men are part of why we have forever war. These people are part of a long tradition that sees citizens as a problem to be managed.
The national security state is particularly contemptuous of the people it ostensibly serves. Left, right, doesn’t matter. The technocrats rule, making life and death decisions for home and abroad. And if you don’t like it? Too bad. No one asked you anyway.
On this episode, host Gordon Katic speaks with Daniel Bessner, Associate Professor at the Henry M. Jackson School of International Relations at the University of Washington, author of Democracy in Exile: Hans Speier and the Rise of the Defense Intellectual, and co-host of the podcast American Prestige. Daniel explains how the ideas and ideology of the technocratic national security state came to be, who carries them, and how the defense-intellectual complex keeps it standing from the media to quasi-academic think tanks to academic departments and beyond.
——————-FURTHER READING AND LISTENING——————
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter, Instagram, and Facebook. Also, we have a new YouTube channel featuring extended interviews with our guests. More to come! So subscribe today.
If you’d like to write to us, email [email protected] or tweet Gordon directly. And if you haven’t already, subscribe to our show wherever you get your podcasts.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our assistant producer is Ren Bangert. Our managing producer is Marc Apollonio. David Moscrop wrote the show notes and is a research assistant.
Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
This episode received support from the Social Sciences and Humanities Research, which provided us with a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
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