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David Baerwald in conversation with David Eastaugh
https://davidbaerwald.com/
Baerwald first came to prominence in 1986 as one half of the duo David & David, with David Ricketts. David and David's sole album, Boomtown, went platinum and stayed on the Billboard album chart for over a year, winning substantial critical acclaim, the debut single "Welcome to the Boomtown" became a top 40 Billboard hit.
Following the breakup of David + David, Baerwald focused on writing for others, often under pseudonyms, though he found time to record and release two albums: Bedtime Stories, a romantic album based on tales of suburban ennui and decay, featuring Joni Mitchell on guitar and backup vocals on the track "Liberty Lies" (Baerwald later sang backup for Mitchell and appear in the video "Nothing Can Be Done" from her 1991 album Night Ride Home); and Triage, an ambitious narrative song-suite about the fringe-dwellers of America's paranoid and disaffected subcultures. Both albums were released to critical acclaim but did not see the commercial success that Boomtown did.
By thec86show4.8
1919 ratings
David Baerwald in conversation with David Eastaugh
https://davidbaerwald.com/
Baerwald first came to prominence in 1986 as one half of the duo David & David, with David Ricketts. David and David's sole album, Boomtown, went platinum and stayed on the Billboard album chart for over a year, winning substantial critical acclaim, the debut single "Welcome to the Boomtown" became a top 40 Billboard hit.
Following the breakup of David + David, Baerwald focused on writing for others, often under pseudonyms, though he found time to record and release two albums: Bedtime Stories, a romantic album based on tales of suburban ennui and decay, featuring Joni Mitchell on guitar and backup vocals on the track "Liberty Lies" (Baerwald later sang backup for Mitchell and appear in the video "Nothing Can Be Done" from her 1991 album Night Ride Home); and Triage, an ambitious narrative song-suite about the fringe-dwellers of America's paranoid and disaffected subcultures. Both albums were released to critical acclaim but did not see the commercial success that Boomtown did.

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