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When Donald Trump improbably became president in 2016, few knew what his foreign-policy agenda would look like. Having spent little time on such issues during his campaign and having no previous electoral experience, Trump’s inclinations were mysterious. But despite this, it’s clear now, looking back, that some of his administration’s greatest successes were in the Middle East.
This week’s podcast guest, the former U.S. ambassador to Israel David Friedman, was at the center of it all, a story that he tells in a new memoir. In this conversation with Mosaic editor Jonathan Silver, Friedman brings listeners inside his tenure, which included the Abraham Accords, the move of the U.S. embassy from Tel Aviv to Jerusalem, and America's recognition of Israel's sovereignty over the Golan Heights. Friedman also reflects on his Jewish formation, and his assessment of American Jewry today.
Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.
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589589 ratings
When Donald Trump improbably became president in 2016, few knew what his foreign-policy agenda would look like. Having spent little time on such issues during his campaign and having no previous electoral experience, Trump’s inclinations were mysterious. But despite this, it’s clear now, looking back, that some of his administration’s greatest successes were in the Middle East.
This week’s podcast guest, the former U.S. ambassador to Israel David Friedman, was at the center of it all, a story that he tells in a new memoir. In this conversation with Mosaic editor Jonathan Silver, Friedman brings listeners inside his tenure, which included the Abraham Accords, the move of the U.S. embassy from Tel Aviv to Jerusalem, and America's recognition of Israel's sovereignty over the Golan Heights. Friedman also reflects on his Jewish formation, and his assessment of American Jewry today.
Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.
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