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In Part 2, I ask David to talk about three songs in particular - Maria, America, and Somewhere. We not only discuss Bernstein's use of the tritone - not only for Maria but throughout the score. In addition David talks about how the movie is different from the original musical production of 1957. Also fascinating was a discussion of Steven Spielberg's use of camera movement to compliment and flow with the music.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!
As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:
Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
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In Part 2, I ask David to talk about three songs in particular - Maria, America, and Somewhere. We not only discuss Bernstein's use of the tritone - not only for Maria but throughout the score. In addition David talks about how the movie is different from the original musical production of 1957. Also fascinating was a discussion of Steven Spielberg's use of camera movement to compliment and flow with the music.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!
As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:
Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
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