De Gruyter Brill on the Wire

While there is little doubt that women were active participants in medieval musical culture, their role has nevertheless been variously obfuscated, undermined, and overlooked, in large part because of the relative absence of named women composers. Work from recent decades has sought to re-insert women into our music-historical narratives, often by broadening their scopes and shifting away from strictly author-focused surveys. 

Female-Voice Song and Women's Musical Agency in the Middle Ages (Brill, 2022) brings together seventeen essays, each of which newly identifies contributions to musical culture made by women before 1500 across Europe. Encompassing not only medieval French, English, and Italian culture, but also stretching to Iceland and the Islamicite courts, this volume speaks to the various ways in which we can hear women’s voices through history.

Prof. Lisa Colton and Dr. Anna Kathryn Grau jointly edited this collection, in addition to contributing chapters to it. In this episode, they speak with Áine Palmer about the study of women’s participation in medieval musical culture, the process of putting together an edited volume such as this, and share insights on their own analyses of 13th-century French motets.

Further Reading and Listening:

For those interested, you can here performer’s renditions of some of the songs and motets mentioned in Anna’s chapter here, here, and here, and a rendition of the motet Lisa’s chapter focuses on can be found here.

Those interested in Bahktinian approaches to early music should also read Helen Dell, Desire by Gender and Genre in Trouvère Song (Woodbridge: Suffolk, 2008), particularly chapters 5 and 6, and Anna Kathryn Grau ‘Hearing Voices: Heteroglossia, Homoglossia, and the Old French Motet’ in Musica Disciplina 58 (2013), pp. 73-100.

Prof. Lisa Colton can be found on Twitter at @elsie33, and you can find Dr. Anna Kathryn Grau at @AnnaKathrynGrau.

Aine Palmer is a PhD candidate in the Music Department at Yale.

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In Jewish Socratic Questions in an Age Without Plato: Permitting and Forbidding Open-Inquiry in 12-15th Century Europe and North Africa (Brill, 2021), Yehuda Halper examines Jewish depictions of Socrates and Socratic questioning of the divine among European and North African Jews of the 12th-15th centuries. Without direct access to Plato, their understanding of Socrates is indirect, based on legendary material, on fragmentary quotations from Plato, or on Aristotle. Out of these sources, Jewish authors of this period formed two distinct views of Socrates: one as a wise, ascetic, monotheist, and the other as a vocal skeptic. The latter view has its roots in Plato's Apology where Socrates describes his divine mandate to question all knowledge, including knowledge of the divine. After exploring how this and similar questions arise in the works of Judah Halevi and the Hebrew Averroes, Halper traces how such open-questioning of the divine arises in the works of Maimonides, Jacob Anatoli, Gersonides, and Abraham Bibago.

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Have you ever wondered why Paul leaves the resurrection discussion in 1 Corinthians 15 for the end of the letter? Have you pondered how 1 Corinthians 15 functions as the climax to 1 Corinthians? What precisely is Paul's rhetorical strategy in 1 Corinthians?

Tune in as we speak with Timothy Christian whose recent book answers those questions by exploring insinuatio, the Greco-Roman rhetorical convention used to address prejudiced or controversial topics—like resurrection—at the end of a discourse. The book is Paul and the Rhetoric of Resurrection: 1 Corinthians 15 as Insinuatio (Brill, 2022).

Timothy J. Christian is Adjunct Professor of Christian Studies & Philosophy at Asbury University and Associate Pastor of Wesley UMC in Canton, IL.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus(IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected].

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Did the author of the two-part narrative of Luke-Acts have a literary and historical paradigm in mind? Mark Giacobbe says, yes, that in certain key respects, Luke-Acts, using literary mimesis, was modeled on the two-part narrative of Samuel-Kings and Chronicles, with part one concerning a Davidic king and part two the acts of those who inherit the kingdom.

Join us as we speak with Mark Giacobbe about his recent book, Luke the Chronicler: The Narrative Arc of Samuel-Kings and Chronicles in Luke-Acts (Brill, 2023).

Mark S. Giacobbe earned his PhD at Westminster Theological Seminary, and is Teaching Pastor at Citylight Church in Philadelphia, PA. He also serves as adjunct faculty at Dallas International University in the Applied Linguistics Department.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus(IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected].

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Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich.

Xiaoning’s research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People’s Republic of China from 1949 to 1989.

In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China’s modernization and Chinese women’s filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK.

Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.

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Anne Giblin Gedacht’s Tōhoku Unbounded: Regional Identity and the Mobile Subject in Prewar Japan (Brill, 2022) centers cross-border mobility in its narrative of the history of Japan’s Tōhoku region in the late nineteenth and early twentieth centuries. The book is a challenge to the stereotypical image of the Northeast as static and isolated. Focusing on Pacific migration―to Asia, North America, and the Philippines―Gedacht pieces together an account of how mobility and movement were instrumental in creating modern Tōhoku regional identities, and how this process was integral to Japan’s modern self-image. In this sense, Tōhoku Unbounded contributes to a growing body of literature exploring factors such as mobility and region in the construction of the modern world of nation-states.

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

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Islamicate Occult Sciences in Theory and Practice (Brill, 2020) brings together the latest research on Islamic occult sciences from a variety of disciplinary perspectives, namely intellectual history, manuscript studies, and material culture. Its aim is not only to showcase the range of pioneering work that is currently being done in these areas but also to provide a model for closer interaction amongst the disciplines constituting this burgeoning field of study. Furthermore, the book provides a rare opportunity to bridge the gap on an institutional level by bringing the academic and curatorial spheres into dialogue.

Dr. Liana Saif pays special attention to intercultural exchanges of esoteric and occult ideas between the Islamicate and Latinate worlds all the way to the European Renaissance, as reflected in her first monograph “The Arabic Influences on Early Modern Occult Philosophy” published by Palgrave Macmillan in 2015. She explores there the Islamic scientific and natural-philosophical foundations of the theories of astral influences that “naturalised” astrology and astral magic, becoming sciences that explore the dynamics that link the terrestrial and celestial worlds, thus co-producing knowledge about nature and the cosmos, and resulting in a universe more intelligible to both Muslim scientists and philosophers, and their European counterparts.

Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of the occult sciences and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.

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Regnum Chinae: The Printed Western Maps of China to 1735 (Brill, 2022) does something that no one has ever done before: collect just about every Western printed map of China, from 1584 up until Jean-Baptiste d’Anville’s landmark map in 1735.

Marco Caboara, along with his fellow researchers, worked tirelessly to catalog and track down these many different documents, and tells the stories behind each one: “stories marked by scholarly breakthroughs, obsession, missionary zeal, commercial sagacity, and greed.”

Marco Caboara is the Digital Scholarship & Archives Manager at the Lee Shau Kee Library at the Hong Kong University of Science and Technology.

In this interview, Marco and I talk about this project, what it says about how Europeans understood China, and his favorite maps in the collection.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Regnum Chinae. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Ontologies of Violence: Deconstruction, Pacifism, and Displacement (Brill, 2023) provides a new paradigm for understanding the concept of violence through comparative interpretations of French philosopher Jacques Derrida, philosophical theologians in the Mennonite pacifist tradition, and Grace M. Jantzen's feminist philosophy of religion. By drawing out and challenging the remarkably similar priorities shared by its three sources, and by challenging the assumption that differences necessarily lead to displacement, Ontologies of Violence provides a critical theory of violence by treating it as a diagnostic concept that implies the violation of value-laden boundaries.

Maxwell Kennel is Senior Research Associate in the Centre for Social Accountability at NOSM University.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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There has been a dearth of study in Lukan scholarship on the transfiguration account and the enigmatic statement about Jesus' "exodus" in Jerusalem. Now Gil Shin has provided a model of new exodus based on the Song of the Sea in Exodus 15, illuminating along the way how the motifs of Moses and David are conjoined within a larger drama of the (new) exodus and the subsequent establishment of Israel's (eschatological) worship space. Join us as we speak with Gil Shin about his recent book, The "Exodus" in Jerusalem (Luke 9:31): A Lukan Form of Israel's Restoration Hope (Brill, 2022).

W. Gil Shin earned his PhD at Fuller Theological Seminary, where he is Affiliate Professor of New Testament. He has published books and articles, including CEB Gospel Parallels (2012).

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus(IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected].

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