This time Tim and Mulele critique two superhero comics submitted by their creators:

* Henshin Man, by Cameron Kerkau, Ben Matsuya, and CJ Standal is just getting started, but it introduces one Japanese hero filling the shoes of another.

* Guano Guy, by Mark Darden and Nick Hoffman, features a hero who is all about leveraging his being a hero as a way to make a buck.

A few months back, Kumar and Emmet discussed Alan Moore and JH Williams‘ Promethea on the show, which led to a Twitter contact with Williams. In this episode, Emmet talks with Williams about the process of making Promethea with Moore in the early 2000s and the definition of “the end of the world”, as well as getting Williams’ thoughts on how DC has brought back the Promethea character.

Two more comics submitted by their creators for Tim and Mulele’s comments:

The Incapable Trump, by Omar Mirza and Alex Genaro gives us a Trump who changes into the Incredible Hulk! it looks great, but is this the best approach to take as a commentary on Trump?

Empress, by Brian Barr, Chuck Amadori, Marcelo Salaza, and Matheus Bronca, a comic about multiple generations of women haunted by green monsters. Which parts look good, and which parts lose us?

Last year saw the release of Marc Meyers’ film adaptation of Derf Backderf’s My Friend Dahmer, starring Ross Lynch, Anne Heche, Dallas Roberts, Alex Wolff, and Vincent Kartheiser. How is the film different from the book, and how do we account for the differences considering Derf’s close involvement in the movie? Did the film’s budget hold it back? Kumar and Emmet discuss.

Strap in for one of the wildest stories in comics – on the creator and publisher side of things! Miracleman, originally known as Marvelman, has been through two hiatuses of 20+ years each and a battle over rights to the character, plus the previously-mentioned name change. And that’s not to mention the dark, dark turn his fictional world took when Alan Moore got ahold of it. Now new stories from Neil Gaiman and Mark Buckingham still lie ahead. Kumar and Koom try to piece it all together.

Tim and Mulele are back with two critiques:

Oscar‘s recent book Tabi (“Journey”) is another silent comic, this time featuring a sword-wielding rabbit. Is that sword to be used for good, or for ill?

Ken Holtzhouser brings us The Quick and the Dad, in which a somewhat goofball dad tries to reconnect with his son and discovers that Junior is a superhero!

Matt Kindt (creator of Super Spy, Revolver, and more) recently ran a Kickstarter for an audio comic — on a vinyl record! — set in the MIND MGMT universe. He talks to Tim in this episode about how it went, why he wanted to do this project, and what’s coming next from him.

Then, Jason McNamara joins Tim to discuss Love Letters to ‘Jane’s World’, a 20th-anniversary collection of Paige Braddock‘s Eisner-nominated strip.

Why does Ho Che Anderson, who has had several projects (including his latest, Godhead) published by Fantagraphics, call himself a “failed” comics creator? What does he wish he’d done differently, early in his career? In this episode, he talks to Koom about going to art school vs. making your comics mistakes in public (and how Frank Miller succeeded despite doing the latter), Godhead, his film work, and more.

Ed Piskor‘s comics work has been characterized by deep dives on big topics that the creator is really into: hip hop music and the X-Men. In this episode, Kumar and Dana dig into Piskor’s “Hip Hop Family Tree” and “X-Men: Grand Design.”

Mike Baron has been a presence in comics for 35 years, from his own creations Nexus and Badger, to mainstream work like the Flash and the Punisher. Recently he’s turned to thriller and horror novels as a creative outlet, while still keeping Nexus and Badger going. He talks to Tim in this episode about switching from comics writing to prose, balancing grimness and comedy in a story, and more.