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The 5th season premiere!
In Episode 75 we go behind-the-scenes with DOWNTON ABBEY costume designer Anna [Mary Scott] Robbins who reflects on her journey designing costumes for two DOWNTON ABBEY series and the three feature films including the recent and final chapter DOWNTON ABBEY: THE GRAND FINALE.
In this conversation, Anna highlights the importance of creating costumes that reflect the characters' shifting roles and status over a decade at Downton Abbey, both upstairs and downstairs.
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TIMESTAMPS
0:53 - DOWNTON ABBEY: THE GRAND FINALE synopsis
1:27 - Anna Robbins introduction
3:06 - Anna Robbin's costume designer' journey
8:59 - Downton Abbey art deco style and women's changing role through fashion
12:52 - 1920s fashion influences on contemporary designers
13:55 - Researching fashion for costume designs
17:57 - Collaborative process of the DOWNTON ABBEY production and design teams
21:45 - Designing a stand-out tomato red gown for Lady Mary
23:09 - Generic Break
23:44 - Hats, gloves, and jewelry -- character is in the details
29:13 - Edith and Mary as career women: London style and country estate style
32:27 - Designing to reflect upstairs/downstairs hierarchies and generations
39:07 - Costuming characters' story arcs (optional addition Daisy's evolution)
41:20 - Anna's desired adaptations Chanel biopic, and book adaptation pick - Sarah Winman's Still Life novel
Transcripts are available to download from the webpage for this podcast episode. Visit michonbostongroup.com/bostonsisters
SUBSCRIBE to HISTORICAL DRAMA WITH THE BOSTON SISTERS® on your favorite podcast platform
ENJOY past podcasts and bonus episodes
SIGN UP for our mailing list
SUPPORT this podcast SHOP THE PODCAST on our affiliate bookstore
Buy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasisters
Thank you for listening!
By Michon & Taquiena Boston4.8
2020 ratings
The 5th season premiere!
In Episode 75 we go behind-the-scenes with DOWNTON ABBEY costume designer Anna [Mary Scott] Robbins who reflects on her journey designing costumes for two DOWNTON ABBEY series and the three feature films including the recent and final chapter DOWNTON ABBEY: THE GRAND FINALE.
In this conversation, Anna highlights the importance of creating costumes that reflect the characters' shifting roles and status over a decade at Downton Abbey, both upstairs and downstairs.
------
TIMESTAMPS
0:53 - DOWNTON ABBEY: THE GRAND FINALE synopsis
1:27 - Anna Robbins introduction
3:06 - Anna Robbin's costume designer' journey
8:59 - Downton Abbey art deco style and women's changing role through fashion
12:52 - 1920s fashion influences on contemporary designers
13:55 - Researching fashion for costume designs
17:57 - Collaborative process of the DOWNTON ABBEY production and design teams
21:45 - Designing a stand-out tomato red gown for Lady Mary
23:09 - Generic Break
23:44 - Hats, gloves, and jewelry -- character is in the details
29:13 - Edith and Mary as career women: London style and country estate style
32:27 - Designing to reflect upstairs/downstairs hierarchies and generations
39:07 - Costuming characters' story arcs (optional addition Daisy's evolution)
41:20 - Anna's desired adaptations Chanel biopic, and book adaptation pick - Sarah Winman's Still Life novel
Transcripts are available to download from the webpage for this podcast episode. Visit michonbostongroup.com/bostonsisters
SUBSCRIBE to HISTORICAL DRAMA WITH THE BOSTON SISTERS® on your favorite podcast platform
ENJOY past podcasts and bonus episodes
SIGN UP for our mailing list
SUPPORT this podcast SHOP THE PODCAST on our affiliate bookstore
Buy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasisters
Thank you for listening!

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