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In this episode, Lori Eschler (music editor of Twin Peaks and Fire Walk With Me) gives your host John a tour behind the curtain of how, when and why the score of Twin Peaks and the film were built from Angelo Badalamenti‘s sound cue library.
Between the technical details and Lori’s experience working behind the scenes, here’s a lot to learn in this one.
Production by Mitch Proctor and Area 42 Studios and Sound
Additional audio editing John Bernardy
https://www.teepublic.com/user/ruminationsradionetwork
www.RuminationsRadioNetwork.com
www.instagram.com/RuminationsRadioNetwork
www.25yearslatersite.com
Instagram: BlueRoseTaskForce
Twitter: RuminationsRadioNetwork@RuminationsN
Twitter: @BlueRoseTFpod
https://www.patreon.com/RuminationsRadio
Email [email protected]
Email [email protected]
By John Bernardy with Elle Holgate4.5
4747 ratings
In this episode, Lori Eschler (music editor of Twin Peaks and Fire Walk With Me) gives your host John a tour behind the curtain of how, when and why the score of Twin Peaks and the film were built from Angelo Badalamenti‘s sound cue library.
Between the technical details and Lori’s experience working behind the scenes, here’s a lot to learn in this one.
Production by Mitch Proctor and Area 42 Studios and Sound
Additional audio editing John Bernardy
https://www.teepublic.com/user/ruminationsradionetwork
www.RuminationsRadioNetwork.com
www.instagram.com/RuminationsRadioNetwork
www.25yearslatersite.com
Instagram: BlueRoseTaskForce
Twitter: RuminationsRadioNetwork@RuminationsN
Twitter: @BlueRoseTFpod
https://www.patreon.com/RuminationsRadio
Email [email protected]
Email [email protected]

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