Dig Me Out: 90s Rock

The 1994 album Let Love In by Nick Cave and the Bad Seeds is a masterful exploration of beauty and brutality. Blending gothic rock with bluesy undertones, Cave delivers haunting melodies with vivid, poetic lyrics. Tracks like "Do You Love Me?" and "Red Right Hand" showcase Cave's magnetic storytelling and the band's dynamic range, taking the wildness of his previous band The Birthday Party, and the noisy experimentation of fellow Aussies The Dirty Three, and utilizes it in surprisingly restrained ways. Themes of passion, despair, and redemption weave through the music, and while a few of the louder tracks break up the flow, overall the album creates a dark, immersive experience unlike anything from the decade.

Songs In This Episode

Intro - Red Right Hand

15:55 - Do You Love Me?

20:02 - Ain't Gonna Rain Anymore

23:45 - Jangling Jack

27:06 - Do You Love Me? (Part 2)

30:48 - Thirsty Dog

Outro - I Let Love In

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The 1998 concept album Nightfall in Middle-Earth by Blind Guardian brings the epic scope of J.R.R. Tolkien’s The Silmarillion to life through power metal. The album tells the tragic tales of elves, men, and gods embroiled in a war against the dark lord Morgoth, blending rich lyrical storytelling with complex arrangements, and finds a sweet spot between the technical skill of bands like Metallica and Helloween with the melodic bombast of Queen. Each track serves as a chapter in the larger saga, with both interludes and full songs capturing key moments via a variety of unique approaches. Mixing soaring vocals, symphonic elements, and Brian May-esque guitar riffage, the band create a sense of grandeur that mirrors the mythic subject matter.

Songs In This Episode

Intro - Into The Storm

14:49 - A Dark Passage

19:42 - Nightfall

24:50 - The Eldar

34:08 - Thorn

38:53 - Mirror Mirror

Outro - The Minstrel

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Almost Here is the 1998 debut album by the Unbelievable Truth, fronted by Andy Yorke, who you may have just discovered (like us) is the younger brother of Radiohead’s Thom Yorke. Infused with haunting melodies and introspective lyrics that lean on melancholy, emotional conflict, and introspection, the album showcases Yorke's evocative vocals and a minimalist approach Throughout the album, songs like "Settle Down" and "Stone" highlights the band’s thoughtful arrangements and subdued sound, tasteful integrating keys and organs without overpowering the mix.

Songs In This Episode

Intro - Solved

15:27 - Higher Than Reason

18:02 - Stone

25:57 - Settle Down

Outro - Finest Little Space

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The 1991 debut album Gish by The Smashing Pumpkins marked the band's entry into the alternative rock scene with a unique mix of psychedelic rock, heavy metal, and dream pop elements. Produced by Butch Vig, who would later work with Nirvana on Nevermind, the album showcases the band's early experimentation with layered guitars, intricate rhythms, raw energy, and dense sonic textures that would become hallmarks of the Pumpkins sound. Although Gish did not initially achieve mainstream success, it garnered a strong underground following, helping to set the stage for the band's breakthrough with Siamese Dream in 1993. Celebrated for its unique blend of intensity and melody, it serves as an early glimpse into the Pumpkins' evolving musical ambitions, complete the fingerprints of Jane's Addiction, Van Halen, and Black Sabbath.

Songs In This Episode

Intro - Tristessa

16:57 - I Am One

21:57 - Rhinoceros

30:36 - Window Paine

33:46 - Siva

Outro - Bury Me

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Most people know Jesus Jones from their big hit in 1991, "Right Here Right Now." Thanks to the explosion of grunge and alternative rock that was already bubbling up from the underground to the mainstream, the techno-rock of Jesus Jones took a back seat and relegated them to one-hit wonder status. But instead of changing their sound to blend in with the loud guitars from Seattle, the band and primary songwriter/singer Mike Edwards went in the opposite direction and leaned into their electronic elements for 1993's Perverse. Recorded entirely on computers, the album marks on the second fully digital release, and the sounds Edwards and band created sound positively futuristic compared the 1993 musical landscape.

Songs In This Episode

Intro - Zeroes and Ones

24:43 - Spiral

27:49 - The Devil You Know

41:09 - Yellow Brown

Outro - Magazine

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An original member of KMFDM, producer, musician and singer Raymond Watts has been ensconced in the electronic and industrial music scenes for going on five decades. His own project PIG started out far more raw and aggressive, but over time Watts evolved the sound and eventually found a home on Trent Reznor's NOTHING label for the 1996 release of Sinsation (released the previous year in Japan only). With nods to Reznor's Nine Inch Nails and fellow industrial metal act Ministry, among others, Sinsation adds some unexpected and well-placed orchestra and horn samples to give the album a cinematic feel that would sound appropriate backing a dystopian science fiction film.

Songs In This Episode

Intro - Hamstrung on the Highway

16:01 - The Sick

22:04 - Serial Killer Thriller

30:31 - Transceration

35:48 - Hot Hole

Outro - Paniac

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Although they've released over a dozen albums covering four decades, odds are if you ask someone on the street to name a song by Soul Asylum, it's going to be the mega-hit "Runaway Train" off their 1992 album Grave Dancers Union. There were other singles, "Black Gold" and "Somebody To Shove" off Grave Dancers Union, "Misery" and "Just Like Anyone" off the follow-up Let Your Dim Light Shine, but those albums and songs represented a band that had worked and toured and recorded since the early 1980s, taking a primordial post-punk and hardcore sound and slowly evolving album by album, starting with their debut Say What You Will, Clarence...Karl Sold The Truck in 1984. Like their Twin/Tone Records labelmates The Replacements, the manic youthful energy gave their lead singers an opportunity to gradually find their literal and lyrical voice. On each successive album, and a jump to major label A&M, the band continued to refine and improve their brand of midwestern alternative college rock, and reached the heights of their songwriting prowess just as a second major, Columbia, took a chance that would land them a home for their sixth album and eventual double platinum seller, the aforementioned Grave Dancers Union.

Songs In This Episode

Intro - Down On Up To Me (from Hang Time)

22:24 - Voodoo Doll (from Say What You Will, Clarence...Karl Sold The Truck)

28:36 - Masquerade (from Say What You Will, Clarence...Karl Sold The Truck)

33:16 - Tied to the Tracks (from Made To Be Broken)

36:46 - Can't Go Back (from Made To Be Broken)

40:20 - Freaks (While You Were Out)

47:22 - Endless Farwell (Hang Time)

51:30 - Cartoon (Hang Time)

Outro - Closer To The Stars (While You Were Out)

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On their second album Young And Full Of The Devil, Magic Dirt blended fuzzed out psych and stoner riffage with a grunge-tinged snarl. The throat shredding vocals of Adalita Srsen lend comparisons to bands like Hole, The Distillers, or L7, but the band delves into darker, scuzzier territory on tracks like the opening opus "Babycakes" and the closer and bonus track "Babycakes You Always Freeze Me Up." The foursome display a penchant for uptempo riffage on songs like "Rabbit With Fangs" and the appropriately titled "She-Riff" layered in a variety of guitar pedals and effects, but some odd choices on the back half of the record left us scratching our heads about what started out with strong intentions but veered into less concise territory.

Songs In This Episode

Intro - Short Black

22:03 - Shrinko

28:54 - She-Riff

35:02 - Ascot Red

43:36 - X-Ray

Outro - Rabbit With Fangs

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It's hard to reconcile the importance of a band like Pavement considering their lack of mainstream popularity and pedestrian album sales But like The Velvet Underground and others before them whose underground popularity helped launch a thousand bands, Pavement's twisted takes on pop rock, post-punk, jam bands, and even country somehow make their 1994 sophomore album Crooked Rain, Crooked Rain made a big impression on those looking for something the radio and MTV didn't offer. Witty lyrics, slacker vibes, jangly and occasionally conflicting guitars were present on their debut, but the band honed their skills to craft catchy, off-kilter melodies on tracks like "Cut Your Hair" and "Range Life."

Songs In This Episode

Intro - Cut Your Hair

24:36 - Silence Kid

37:06 - Fillmore Jive

46:59 - Heaven Is a Truck

56:53 - Range Life

Outro - Gold Soundz

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Like so many second and third wave grunge bands, aka post-grunge, the opportunity for chart and sales success depended on a big hit. For Atlanta, Georgia's doubleDrive, they didn't manage to score the big radio or MTV single in 1999 with their debut album 1000 Yard Stare, but what they produced was something more interesting than what many of their contemporaries had to offer. The production gives the entire band a chance to shine, and the twin guitar attack gets closer to the post-hardcore of Helmet, Quicksand, and Handsome at times. Unlike their post-grunge contemporaries Puddle of Mudd or Creed, the band doesn't slog around the mid-tempo for long, injecting plenty of energy and avoiding a ballad completely. But also like their post-grunge contemporaries, a reliance on the vocal stylings of singers like Eddie Vedder and Scott Weiland put a stamp on the sound that chips away at the originality.

Songs In This Episode

Intro - 1000 Yard Stare

22:31 - Belief System

27:12 - Tattooed Bruise

35:02 - Vamp

38:45 - Gone

40:50 - Reason

Outro - Hell

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