Fini Scad only managed to release one album during their short existence, but thanks to one of our listeners we're giving it a new lease on life. 1998's Wider Screen, and their EP from two years early, got the band onto Australian radio and television, but they burned out quickly and were gone the same year the album came out. We don't know what exactly happened, but we do know they left behind an interesting album, partially thanks to the production work of John Agnello (Buffalo Tom, Dinosaur Jr.), who helps gives the guitars twin guitar attack the right amount of punch. Singer/guitarist Dave Thomas kept us guessing, as his vocals morphed from bellowing hard rock one moment to whispered and intimate the next, which worked on most if not all the album. As our listener noted, it's a shame Fini Scad never managed to follow-up Wider Screen, because what they do well could have easily been refined and expanded upon, and the few nitpicks we had could easily be rectified.

Intro - Coppertone

5:45 - Sonic Boy

8:13 - Just A Show

17:12 - Wider Screen

20:27 - It's Not Real

Outro - More Of The Same

Every decade of rock music and its various sub genre offshoots has produced oft-debated lists of notable drummers, and the 1990s is no exception. From the jazz-influenced speed of The Smashing Pumpkins Jimmy Chamberlain, to the technical progressive prowess of Dream Theater's Mike Portnoy, there is drummer for every style and flavor. Rather than discuss "the best," we're talking favorites, both well known and not-so-well known. Who gave us fills we still air drum to at our desks? Who pounded rhythms that make us shake our heads in awe? Whose beats influenced the next generation of drummers? From the groove metal of Pantera's Vinnie Paul to the skittish bounce of Dismemberment Plan's Joe Easley, we're scratching the surface and a bit more to get the conversation started on drummers of the 1990s.

Intro - Drum Medley (I Am One by The Smashing Pumpkins / Pacific 231 by Burning Airlines / Jesus Christ Pose by Soundgarden / The City by Dismemberment Plan)

8:04 - Rhinosaur by Soundgarden

18:34 - Would? by Alice In Chains

34:37 - Hello by Oasis

41:32 - Wiser Time by The Black Crowes

58:06 - Puppets by Hum

1:02:30 - Andalusia by Shiner

1:15:07 - Milwaukee Sky Rocket by Braid

Outro - Enjoy The Silence by Failure

By the time William and Jim Reid of the Jesus And Mary Chain put out the 1998 album Munki, the band had been through several iterations. From the noise drenched simplicity of Psychocandy to the pulsing beats of Automatic and the lazy strums of Stoned and Dethroned, the brothers had covered plenty of musical territory while still maintaining the attitude and sound unique to the band. In what would be their last release together until 2017's Damage And Joy, they manage to revisit nearly every phase of the band, and even explore some new ideas. But at seventeen songs and seventy minutes, the sheer length of the album, especially with some ill-advised forays into overlong noodling and keyboard driven tracks, left us wondering if the lack of an outside voice (i.e. a producer with a surname other than Reid) would have shaped a more concise, cohesive and ultimately satisfying listen.

Intro - I Love Rock'n'Roll

11:46 - Degenerate

16:14 - Moe Tucker

20:37 - Perfume

23:03 - Commercial

Outro - I Hate Rock'n'Roll

Hailing from Canberra, Australia, the 1992 sophomore album Psychohum by the Falling Joys is what alternative or college or indie rock, however you want to classify it, looked to be heading pre-Nirvana and Pearl Jam. Eclectic and unpredictable, with guitar tones and vocals that easily slip between shoegaze, jangle pop, new wave and mainstream rock riffing, the Falling Joys sound like a band hitting their stride as songwriters and musicians. Led by vocalist/guitarist Suzie Biggie, who manages to invoke 79/80 Blondie one moment and Spooky era Lush the next, pulls off a wide array of styles with melodic cohesion. Paired with bassist and vocalist Pat Hayes on tunes like Incinerator, and Stuart Robinson's effected riffage on a song like God In A Dustbin, there is a lot to like about Psychohum. At the same time, that uninhibited approach can take a band down some lesser advised paths, with odd tangents into Chili Pepper funk and Sinatra swing. Which approach wins out? Tune in to hear our take on Psychohum.

Intro - Dynamite

10:16 - Black Bandages

15:05 - Incinerator

19:50 - A Winter's Tale

22:17 - Lullaby

24:36 - Fortune Teller

Outro - God In A Dustbin

Our Patreon patron Brandon wanted to check out the 1999 (or 2000, if you bought the Sony rerelease) album This Will Be Laughing Week by Ultimate Fakebook. Through the magic of our Facebook page, we ended up connecting with lead singer and guitarist Bill McShane and drummer Eric Melin, and they ended up joining us as well. In addition, we gave away a pair of Sudio Regent headphones to one of our lucky Patreon patrons. It's a jam-packed episode! In addition to talking about the actual record, we also discuss what went on with the band signing to a major label at the end of the 1990s, touring, songwriting, band origins, vinyl reissues, Manhattan vs. Lawrence, new music and much more.

Special thanks to Sudio Sweden for providing our May giveaway. On episodes 381 and 382 we followed up on our previous Tre and Regent reports, if you like what you hear and want to grab a pair, use the code DIGMEOUT for 15% off your purchase during the month of May.

Intro - She Don't Even Know My Name