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How do we "fix" music streaming? It's a question that has plagued the music industry and musicians for a decade and a half, whilst debating the pounds, pennies and slithers of a pence per stream... so this discussion about music streaming seemed like a great place to restart our podcast, which is will focus on music, through the prism of creativity, sustainability, pioneers and big ideas.
In the UK, there's been a UK government DCMS (Department of Culture, Media and Sport) enquiry exploring the issue of music streaming royalties and the challenges faced by musicians in receiving fair compensation for their work.
In this relaunch episode of our podcast, DiS founder Sean Adams (@seaninsound | drownedinsound.org) spoke to Naomi Pohl, the General Secretary of the Musicians' Union, a trade union representing 33,000 musicians about music streaming. We also discussed various campaigns she's the driving force behind to improve things for musicians. The General Secretary highlights the efforts of the Musicians' Union to advocate for and support musicians, including their fight for fair pay and improved working conditions. You'll also learn about the importance of joining a union and how both musicians and music fans can support their campaigns, which you can find here musiciansunion.org.uk (including how new members can join for as little as £1).
The wide-ranging enquiry into music streaming, entitled Copyright (Rights and Renumeration, etc) Bill, also known as The Brennan Bill (named because it's been led by musician and Labour MP Kevin Brennan) is looking into the current music streaming landscape, including the payment structures and methods used by music streaming platforms, as well as the challenges faced by musicians in receiving appropriate compensation from the platforms and their labels. The aim of the enquiry, which has been going on for a couple of years now, is to make recommendations to the UK government on ways to ensure that musicians receive fair compensation for their work, and to ensure that the music industry continues to thrive and support musicians. You can read more about where the enquiry is currently at on MusicAlly here.
In this conversation, Naomi Pohl explains her role and the process of changing the law and discusses her wider challenges over the coming months and years.
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How do we "fix" music streaming? It's a question that has plagued the music industry and musicians for a decade and a half, whilst debating the pounds, pennies and slithers of a pence per stream... so this discussion about music streaming seemed like a great place to restart our podcast, which is will focus on music, through the prism of creativity, sustainability, pioneers and big ideas.
In the UK, there's been a UK government DCMS (Department of Culture, Media and Sport) enquiry exploring the issue of music streaming royalties and the challenges faced by musicians in receiving fair compensation for their work.
In this relaunch episode of our podcast, DiS founder Sean Adams (@seaninsound | drownedinsound.org) spoke to Naomi Pohl, the General Secretary of the Musicians' Union, a trade union representing 33,000 musicians about music streaming. We also discussed various campaigns she's the driving force behind to improve things for musicians. The General Secretary highlights the efforts of the Musicians' Union to advocate for and support musicians, including their fight for fair pay and improved working conditions. You'll also learn about the importance of joining a union and how both musicians and music fans can support their campaigns, which you can find here musiciansunion.org.uk (including how new members can join for as little as £1).
The wide-ranging enquiry into music streaming, entitled Copyright (Rights and Renumeration, etc) Bill, also known as The Brennan Bill (named because it's been led by musician and Labour MP Kevin Brennan) is looking into the current music streaming landscape, including the payment structures and methods used by music streaming platforms, as well as the challenges faced by musicians in receiving appropriate compensation from the platforms and their labels. The aim of the enquiry, which has been going on for a couple of years now, is to make recommendations to the UK government on ways to ensure that musicians receive fair compensation for their work, and to ensure that the music industry continues to thrive and support musicians. You can read more about where the enquiry is currently at on MusicAlly here.
In this conversation, Naomi Pohl explains her role and the process of changing the law and discusses her wider challenges over the coming months and years.
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