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Title: The Fourth Dimension of a Poem
Author: M. H. Abrams
Narrator: Jeffrey Gillespie
Format: Unabridged
Length: 7 hrs and 40 mins
Language: English
Release date: 06-27-13
Publisher: Audible Studios
Ratings: 4.5 of 5 out of 5 votes
Genres: Nonfiction, Philosophy
Publisher's Summary:
A new collection of essays by the legendary literary scholar and critic.
In the year of his 100th birthday, preeminent literary critic, scholar, and teacher M. H. Abrams brings us a collection of nine new and recent essays that challenge the reader to think about poetry in new ways. In these essays, three of them never before published, Abrams engages afresh with pivotal figures in intellectual and literary history, among them Kant, Keats, and Hazlitt. The centerpiece of the volume is Abramss eloquent and incisive essay "The Fourth Dimension of a Poem" on the pleasure of reading poems aloud, accompanied by online recordings of Abramss revelatory readings of poems such as William Wordsworths "Surprised by Joy", Alfred Tennysons "Here Sleeps the Crimson Petal", and Ernest Dowsons "Cynara". The collection begins with a foreword by Abrams former student Harold Bloom.
Members Reviews:
Excellent Book
Read about it in the NYRB. I found it to be a terrific book and am so pleased I found out about it.
Read poems aloud!
A brilliant explanation supporting the value of reading aloud poems or parts of them, especially important for teachers of introduction to poetry.
Poetry and Philosophy in the Western Canon
My impression of this book was that it was an unique critique of poetry and language, its beauty, its abuse and its potential to humanity, i.e., to make us more human. The author certainly has an enormous breath and deep familiarity of literature, philosophy, and the omnipresence of the impact of the sciences. Though per the author "the material medium of the poem is speech" we certainly do not speak to each other in this way, though in any constructive exchange there can be harmonious sound. I would conclude that poetry is a medium of theatre, songs and ballads, which immediately comes to mind.
My favorite, though not necessarily easy to grasp, chapters are "What is Humanistic Criticism"; "The Language and Methods of Humanism"; "Kant & the Theology of Art"; and "Spiritual Travelers in the Literature of the West."
"Humanistic Criticism" discusses Derrida (deconstructionism) and Descartes (methodical doubt). To the deconstructionists there are "antagonistic forces inhabiting a text that remain forever locked in the "double-bind" of opposed but unresolvable significations.." However no specific examples are provided, whether to classical, popular or current "open verse" poetry. Descartes, though no poet himself, had to doubt his senses and his world of social activity, and by "doubt" to see this as a necessary tool for an objective science.
"The Language and Methods of Humanism" is explored in comparison with the rigors of science. To the author, "when the humanist commits to a language modeled on science...specific human aspects...elude his linguistic grasp." And in a later chapter (p. 136) "there is a bleak theory world of mechanism & dualism..." Terms and concepts from science and literature can often overlap, such as "black hole", and using "Google" as a verb, or in misleading or crude ways such as "Darwinian" or it's all "relative", terms borrowed from science stripped of their exact scientific meaning. Author sprinkles his text with some sage advice as in (p.