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When breaking down a script, a profoundly important question to consider is: how does the time period in which this play takes place affect my character? It’s not just something you want to understand intellectually; it has to affect you experientially. The time frame is an enormous part of the given circumstances and we must take the time to consider how it influences our characters’ behavior. In this episode, Milton applies this concept to Bernie Dodd in The Country Girl, and how the 1950’s attitude towards the arts affects his mentality and gives him something to play against. “A play exists in a world,” Milton says. “And we need to figure out how my character does or does not fit into this world.” Have a question for Milton? Email him at [email protected]
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When breaking down a script, a profoundly important question to consider is: how does the time period in which this play takes place affect my character? It’s not just something you want to understand intellectually; it has to affect you experientially. The time frame is an enormous part of the given circumstances and we must take the time to consider how it influences our characters’ behavior. In this episode, Milton applies this concept to Bernie Dodd in The Country Girl, and how the 1950’s attitude towards the arts affects his mentality and gives him something to play against. “A play exists in a world,” Milton says. “And we need to figure out how my character does or does not fit into this world.” Have a question for Milton? Email him at [email protected]
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