Hollywood saw the emergence of many blonde actresses from 1930’s to the 1950’s. Epitheths such as “screen siren” or “cinematic goddess” were attached to the most popular blonde actresses of the day, By the magic of cinematic lighting, pale skin and blonde hair were made to look like the closest approximation of what the viewers’ imagine ancient goddesses would look like.

This episode is also available as a blog post: http://martinifisher.com/2021/05/10/ancient-blondes/

Hollywood saw the emergence of many blonde actresses from 1930’s to the 1950’s. Epitheths such as “screen siren” or “cinematic goddess” were attached to the most popular blonde actresses of the day, By the magic of cinematic lighting, pale skin and blonde hair were made to look like the closest approximation of what the viewers’ imagine ancient goddesses would look like.

This episode is also available as a blog post: http://martinifisher.com/2021/05/10/ancient-blondes/

Empress Euphemia’s rose from a freed slave to the most powerful woman in Rome in her time through her marriage to Justin I (450-527 CE). Historia Arcana (“Secret History”) by Procopius of Caesarea (c. 500 – c. 554) introduced the Empress Euphemia as Lupicina – a slave and a barbarian concubine of her owner.

This episode is also available as a blog post: http://martinifisher.com/2021/05/03/even-empresses-had-haters-tale-of-two-concubines-and-sensational-ancient-biographies/

Empress Euphemia’s rose from a freed slave to the most powerful woman in Rome in her time through her marriage to Justin I (450-527 CE). Historia Arcana (“Secret History”) by Procopius of Caesarea (c. 500 – c. 554) introduced the Empress Euphemia as Lupicina – a slave and a barbarian concubine of her owner.

This episode is also available as a blog post: http://martinifisher.com/2021/05/03/even-empresses-had-haters-tale-of-two-concubines-and-sensational-ancient-biographies/

As fire is considered to be an agent of purity and as a symbol of righteousness and truth, a sacred fire is often a place for the offering of sacrifices and prayers. Therefore, those entrusted with tending this flame often held a sacred, important and very demanding role in the culture.

This episode is also available as a blog post: http://martinifisher.com/2021/04/24/keepers-of-the-eternal-flame/

As fire is considered to be an agent of purity and as a symbol of righteousness and truth, a sacred fire is often a place for the offering of sacrifices and prayers. Therefore, those entrusted with tending this flame often held a sacred, important and very demanding role in the culture.

This episode is also available as a blog post: http://martinifisher.com/2021/04/24/keepers-of-the-eternal-flame/

Half-human half-beast creatures are found in myths and legends of nearly every, if not all, culture in the world. Ancient Greek’s Pan, who symbolizes and rules over the untamed wild, is depicted with the hindquarters, legs, and horns of a goat while otherwise being mostly human in his appearance. One of the most popular representations of Anubis, the Egyptian god of death, depicts him as a figure with the body of a man and the head of a jackal with pointed ears holding a gold scale while a heart of the soul is being weighed against Ma’at’s truth feather. In Buddhist mythology, there is the Kalaviṅka, a divine bird with a human head who preached the Dharma through its songs and, in South east Asian mythology, two of the most beloved mythological characters are the benevolent half-human, half-bird creatures known as the Kinnara and Kinnari, celestial musicians who come from the Himalayas and watch over the well-being of humans in times of trouble or danger.

Half-human half-beast creatures are found in myths and legends of nearly every, if not all, culture in the world. Ancient Greek’s Pan, who symbolizes and rules over the untamed wild, is depicted with the hindquarters, legs, and horns of a goat while otherwise being mostly human in his appearance. One of the most popular representations of Anubis, the Egyptian god of death, depicts him as a figure with the body of a man and the head of a jackal with pointed ears holding a gold scale while a heart of the soul is being weighed against Ma’at’s truth feather. In Buddhist mythology, there is the Kalaviṅka, a divine bird with a human head who preached the Dharma through its songs and, in South east Asian mythology, two of the most beloved mythological characters are the benevolent half-human, half-bird creatures known as the Kinnara and Kinnari, celestial musicians who come from the Himalayas and watch over the well-being of humans in times of trouble or danger.

Before the first moon landing in 1969, the Chinese moon goddess Chang’e was mentioned in the Apollo 11 Air-to-Ground Voice Transcription between the Spacecraft Center in Houston, Texas and the Apollo 11 crew. The center said, “Among the large headlines concerning Apollo this morning, there’s one asking that you watch for a lovely girl with a big rabbit. An ancient legend says a beautiful Chinese girl called Chang-o has been living there for 4,000 years. It seems she was banished to the Moon because she stole the pill of immortality from her husband. You might also look for her companion, a large Chinese rabbit, who is easy to spot since he is always standing on his hind feet in the shade of a cinnamon tree. The name of the rabbit is not reported.” To this, astronaut Buzz Aldrin replied, “Okay. We’ll keep a close eye out for the bunny girl.”

This episode is also available as a blog post: http://martinifisher.com/2021/04/12/the-rabbits-on-the-moon-stories-of-sacrifice-and-companionship/

Before the first moon landing in 1969, the Chinese moon goddess Chang’e was mentioned in the Apollo 11 Air-to-Ground Voice Transcription between the Spacecraft Center in Houston, Texas and the Apollo 11 crew. The center said, “Among the large headlines concerning Apollo this morning, there’s one asking that you watch for a lovely girl with a big rabbit. An ancient legend says a beautiful Chinese girl called Chang-o has been living there for 4,000 years. It seems she was banished to the Moon because she stole the pill of immortality from her husband. You might also look for her companion, a large Chinese rabbit, who is easy to spot since he is always standing on his hind feet in the shade of a cinnamon tree. The name of the rabbit is not reported.” To this, astronaut Buzz Aldrin replied, “Okay. We’ll keep a close eye out for the bunny girl.”

This episode is also available as a blog post: http://martinifisher.com/2021/04/12/the-rabbits-on-the-moon-stories-of-sacrifice-and-companionship/