Pierce receives an invitation from Don’s former assistant, MIA, now a major producer, to move into Don’s house. It’s a thrill for Pierce to live in Don’s house- he had always wanted to see the great man's lair but Don had never invited him. While at Don’s house, Pierce is alerted to police cars down the street. They’re coming from Madame Cora’s house. Pierce sees that the woman he had encountered earlier seeking a job as a prostitute was actually an undercover cop. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

Pierce receives an invitation from Don’s former assistant, MIA, now a major producer, to move into Don’s house. It’s a thrill for Pierce to live in Don’s house- he had always wanted to see the great man's lair but Don had never invited him. While at Don’s house, Pierce is alerted to police cars down the street. They’re coming from Madame Cora’s house. Pierce sees that the woman he had encountered earlier seeking a job as a prostitute was actually an undercover cop. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Pierce receives an invitation from Don’s former assistant, MIA, now a major producer, to move into Don’s house. It’s a thrill for Pierce to live in Don’s house- he had always wanted to see the great man's lair but Don had never invited him. While at Don’s house, Pierce is alerted to police cars down the street. They’re coming from Madame Cora’s house. Pierce sees that the woman he had encountered earlier seeking a job as a prostitute was actually an undercover cop. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com" rel="noopener noreferrer">https://www.iheartpodcastnetwork.com</a>See <a href="https://omnystudio.com/listener" rel="noopener noreferrer">omnystudio.com/listener</a> for privacy information.

"Don Flies Too Close to the Sun"

THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.

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"Don Flies Too Close to the Sun"

"Don Flies Too Close to the Sun"

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