THE DON Season 2: Maverick, Top Gun, Don’s Greatest Hits, And The Addictions That Killed Him”   In this episode, we learn just how close Sly Stallone came to starring in Beverly Hills Cop. We dive into Don's failure in trying to make Richard Pryor into a movie star. We look at his courtship of Eddie Murphy. And efforts to de-sexualize Eddie Murphy in order to make him a movie star. And why critics like Pauline Kael cried racial insensitivity after seeing the movie.  See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

THE DON Season 2: Maverick, Top Gun, Don’s Greatest Hits, And The Addictions That Killed Him” In this episode, we learn just how close Sly Stallone came to starring in Beverly Hills Cop. We dive into Don's failure in trying to make Richard Pryor into a movie star. We look at his courtship of Eddie Murphy. And efforts to de-sexualize Eddie Murphy in order to make him a movie star. And why critics like Pauline Kael cried racial insensitivity after seeing the movie. See omnystudio.com/listener for privacy information.

THE DON Season 2: Maverick, Top Gun, Don’s Greatest Hits, And The Addictions That Killed Him” &nbsp; In this episode, we learn just how close Sly Stallone came to starring in Beverly Hills Cop. We dive into Don's failure in trying to make Richard Pryor into a movie star. We look at his courtship of Eddie Murphy. And efforts to de-sexualize Eddie Murphy in order to make him a movie star. And why critics like Pauline Kael cried racial insensitivity after seeing the movie.&nbsp;&nbsp;See <a href="https://omnystudio.com/listener" rel="noopener noreferrer">omnystudio.com/listener</a> for privacy information.

DON, SLY STALLONE AND EDDIE MURPHY

THE DON is a docu-drama on the life of the producer of TOP GUN, Don Simpson, which uses narration, clips, and fictional re-enactments via “lost tapes'' to take you behind the scenes into Hollywood’s decade of decadence, the 1980s. Before the era of MeToo, there was Don Simpson the poster boy of toxic masculinity, whose outlandish behavior was not only tolerated but encouraged by the film industry who profited greatly off Don’s movies. Don Simpson was, like the character he named after himself in his movie TOP GUN, a maverick. His signature style of filmmaking created one hit after another— AMERICAN GIGOLO, FLASHDANCE, BEVERLY HILLS COP, TOP GUN- they all came from the mind of Don Simpson. Don loved the movies so much that he created a mythological persona known as “The Don” to match his signature movies— loud, ballsy, cheesy— his movies were full of homo-erotic testoterone-driven race car drivers and navy fighter pilots and stripper/welders who wanted to be ballerinas— these were the movies from Don’s absurd fantasy world— this was the world that Don actually lived in— there was no separation between life and art. And that movie persona that he created— “The Don”— grew more and more outrageous and more extreme— until ultimately… it killed him.

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DON, SLY STALLONE AND EDDIE MURPHY

DON, SLY STALLONE AND EDDIE MURPHY

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