Founded by Eyal Weizman, it has produced reports into the shooting of a Black man in London and alleged human rights violations in Gaza.

from Financial Times

by Rachel Spence

published July 28, 2024

© 2024 The Financial Times Ltd. All rights reserved.

Jesse Darling is so disillusioned with the art world that he just isn’t sure.

from The New York Times

by Thomas Rogers

published July 6, 2024

"We’re all going to die, so you might as well get over that shy shit." Stingily tells the truth, and she’s funny.

from Flash Art

by Whitney Mallett

published June 20, 2024

Enfant terrible of the Mexico City art scene, Bárbara Sánchez-Kane blurs the line between art and fashion.

from Purple

by Olivier Zahm

Spring/Summer 2024

We discuss the challenges of representing the UK at the Venice Biennale with the artist in his north London studio.

from ⁠frieze⁠

by Vanessa Peterson

published April 16, 2024

A look at some of the forces that have defined ArtReview’s Power 100 list.

from ArtReview

published November 30, 2023

"I’m particularly interested in errant strands of popular culture, works that are anomalies within mass media."

from CURA.

by Ben Broome

published December 18, 2023

Monika Sprüth and Philomene Magers built one of the art world’s most powerful businesses by not following conventional wisdom.

from T: The New York Times Style Magazine

by Evan Moffitt

published December 11, 2023

"Isa Genzken is a consciously enigmatic figure, and just as her work cannot be contained within one style, her identity is likewise unfixed."

from KALEIDOSCOPE

by Kyla McDonald

published November 24, 2023

For Document’s Fall/Winter 2023 issue, the architect and artist assess the importance of embracing historical nuance to fabricate new futures.

from Document

by Elizabeth Hsieh

published November 6, 2023