Ahead of his first Art Basel as fairs director, Vincenzo de Bellis talks to Francesco Tenaglia about his Milanese roots, detrending figuration, and blurring the distinctions between curation and entrepreneurship.

from Spike

by Francesco Tenaglia

published June 1, 2023

Using images sourced from colonial archives, film, fashion and family albums, the artist carves representation and empowerment from stereotype.

from ArtReview

by Fi Churchman

published May 5, 2023

Curator Lesley Lokko’s focus on Africa and its diaspora has inspired creative work — and few buildings.

from Financial Times

by Edwin Heathcote

published May 19, 2023

© 2023 The Financial Times Ltd. All rights reserved.

"Design is one of the many ways I have to break the rules." We explore the groundbreaking career of the Italian designer.

from Wallpaper*

by Maria Cristina Didero

published April 15, 2023

credit: Future Publishing Ltd

In his new video installation, the artist known for maximalist works like "The Cremaster Cycle" returns to the football fields of his childhood.

from The New York Times

by Siddhartha Mitter

published May 14, 2023

"The New York-based artist seeks to repair a largely spectatorial perspective on the histories and lives of Black, transgender figures overlooked by the historical canon."

from Flash Art

by Octavia Bürgel

published February 22, 2023

The American sculptor discusses moving beyond pernicious tropes about the black body in her first museum survey at ICA Boston.

from Financial Times

by Enuma Okoro

published April 14, 2023

© 2023 The Financial Times Ltd. All rights reserved.

To frame her work under the catch-all terms of humanist representation is to flatten it, as well as to deny the material realities of its production.

from ArtReview

by Helen Charman

published March 02, 2023

Ahead of his major exhibition at Tate Britain, the artist considers how his films will exist in the future.

from frieze

by Deborah Willis and Isaac Julien

published March 22, 2023

The demimonde photographer long considered herself a filmmaker. Then Laura Poitras made a documentary about her.

from New York Magazine

by Kate Dwyer

published March 24, 2023