Physical media day. A very modern look at Empire Records and High Fidelity. Empire Records, the underdog hero (or at least before the collective delusion that the underdog hero is Blockbuster Video or Tower Records). Found family vs the dicey … Continue reading →

The not-so-creature-feature. Park Chan-wook, all time genius pervert. Thirst, which is kind of a funny name, really. Here to talk about one thing, and that’s the sensuality of Thirst. How does Thirst make its sex feel more…well, sexy? Subs, dubs, … Continue reading →

Why can’t men just talk about their feelings? Two movies look at wonderful and terrible consequences of the unspoken. First up, everyone’s favorite Brokeback Mountain was a landmark film for American cinema. The lesser cited parts of Brokeback Mountain that … Continue reading →

Absurd beliefs disrupt society. Bill Paxton’s Frailty as a truly bizarre piece of 20001 filmmaking. What sets Frailty apart from everything that was coming out at the time. Religion obviously hurt Michael as a child. Who’s perspective is it, and … Continue reading →

German bleakhause. A taste of German nuwave and cultural revolution. After a year chasing films like Possession and the Luca Guadagnino Suspiria, Double Feature goes on a quest to uncover the real German deep cuts. The low key insanity of … Continue reading →

Spooky threads and haunted people. Sophisticated looks at various points in the fashion industry – first up, it’s high fashion houses and haute couture in Phantom Thread. The deviant lifestyle of Paul Thomas Anderson’s characters. Craftsmanship, the crunch, and doing … Continue reading →

Exploitation meets the New French Extremity. Surprisingly little skin will be eaten in this not-exactly-cannible double feature. Is it Man from Deep River, The Man from Deep River, Sacrifice!, Il paese del sesso selvaggio, or The Land of Wild Sex? … Continue reading →

An unfamiliar New York. Navigating the dangerous waters of Once Upon a Time in America. Sergio Leone’s gory fairytales. The fear of a film swinging immoral. The impossibility of Pee-wee’s Big Holiday. Paul Reubens performs the magic trick. Is Pee-wee … Continue reading →

Fraternal revenge! Decidedly foreign takes of crime genres typically reserved for American cinema! Pairing up a listener pick! Release the bats is a real song and it’s actually good? The Birthday Party is not The Birthday Massacre. Also, El-P has … Continue reading →

Rediscovering cult movies. A tiny bit of genre, because who can help themselves. Michael is tricked into Vampire’s Kiss with the word vampire. Of every frame that is shocking in Vampire’s Kiss, which is the most shocking? What that accent … Continue reading →