Differing poverties. Turns out, this is not a cheeky Double Feature. A fresh breath of filmmaking in Pather Panchali, a movie many people are still discovering for the first time. The way current films address diversity is still condescending. The … Continue reading →

Two intense films on opposite sides of the coin. Angst is a truly underground film, even today. Double Feature settles where in the the world these films actually come from. The internet hasn’t yet recognized the banned film Angst, and … Continue reading →

A deep dive into Technicolor. The experiment inspired by The Love Witch – what can be learned about technicolor by watch back to back? Plus, how Technicolor became a powerful influence on the style of the 1950s and how it’s … Continue reading →

The second chapter of the Exploitation + New French Extremity journey. This times, files that can be viewed around the world! Fortune smiles upon Double Feature as a theme of freedom and rebellion ties the parallel film movements together. The … Continue reading →

Artful witches have an odd way. A coven helps break down the mise-en-scène with Suspiria (2018). The feeling of European arthouse films may have been buried in the 80s but it was resurrected by Suspiria in 2018. Mise-en-scène is a … Continue reading →

A walk through youthful breezy films with a robust set of interpretive tools. Looking at Kiki’s Delivery Service after everything learned on the grand Ghibli journey. One tiny witch, one big village. Independence, it’s everything you ever wanted and nothing … Continue reading →

Independent, and maybe Independent As Fuck. One of the all-time greatest comic book adaptations, Ghost World. It seems illegal to watch these actors in this film. A debate on whether or not every single person in Ghost World is fucking … Continue reading →

Enter the world of Wong Kar-wai with Chungking Express and the spiritual successor Fallen Angels. A day and night Hong Kong pair from a director who should have been on Double Feature a long time ago. The filmsboth explore themes … Continue reading →

Bottle films where mad men (of various numbers) make one or more participants play a deadly children’s game. Bonus points: films that are very aesthetically of their moment (or maybe even more specifically, a moment that summarizes the most popular … Continue reading →

The rough and tumble birds of existential cinema. Cockfighter as the rare Corman underdog. The drifter and the road film. Holding strong onto the extended bird metaphor. Don’t call Pigeons sky-rats. The composition of A Pigeon Sat on a Branch … Continue reading →