Double Feature

V/H/S films 1-4. Breaking down every single segment of every single VHS movie in under an hour! The names behind each and every VHS film. Bonus Adam Wingard announcement – Alice Xandra Thirteen’s new documentary on the look of The … Continue reading →

Adolescents faces the threat of imminent demise. Childhood games go very, very wrong. Summer of 84 taps into the ongoing 80s-kids-on-bikes genre. The overwhelming sense of dread. When the twist is simply delivering on the promise. Adults, and how they … Continue reading →

Mysterious crimes and the people who are obsessed with them. Also, mandatory darkwave jokes. People are sucking for The Cure Ending Explained. Agreeing on a premise for Cure. The so-called killer – what he does and how the role is … Continue reading →

The Halloween punchline no one asked for. Creating a synopsis for the indescribal Death Becomes Her. Special guest Zemeckis expert Michael Koester. Uncovering one of the truly great Bruce Willis performances that allowed him to then phone it in several … Continue reading →

Wrestling with the history of exploitation film. Film is wonderful worker exploitation is bad, and adding race makes everything more complicated. Can we still celebrate the art of those who were exploited? Film as historical documents. The additional context provided … Continue reading →

Something blue. What is aquatic horror? How Deep Rising under-sells what’s special about it, and what a proper logline of the actual movie would look like. The rag-tag crew trope. What fears does aquatic horror tap in to? The overwhelming … Continue reading →

Something borrowed. A remake of a remake, sort of. In House of Wax (1953), Vincent Price pitches a wax venture. Maintaining purity in artistic intentions. Later, a person who may or may not be Vincent Price’s character shows up to … Continue reading →

Celebrating October with something new. Leigh Whannell and James Wan are back, back to back. Michael divides modern horror intro three groups. Creating a “wow moment.” Exploring the styles of Upgrade and Malignant: into the unique visual and narrative techniques … Continue reading →

Celebrating October with something old. Two films about people outcasted from society and the roles the are relegated to play. The invention of cinema in Paris. Or Europe. Or, you know, New York. Film was born wherever you want to … Continue reading →

The acid western. Jim Jarmusch’s black and white rock western…noir? Cinematographer Rober Müller. The central figure of the western. Tiny Johnny Depp. William Blake has a full time job – as an accountant. As an accountant. Entering the spiritual world. … Continue reading →