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Leeds-based film journalist and podcaster Amber T. (@hornbloodfire) joins for a double feature discussion of bad vibes connoisseur Kiyoshi Kurosawa's V-Cinema revenge thrillers 'Serpent's Path' and 'Eyes of the Spider'. Written in collaboration with 'Ringu' screenwriter Hiroshi Takahashi and directed back-to-back within an incredibly short production period of mere weeks, the films sidestep Kurosawa's customary supernatural impulses seen in hits like 'Cure' and 'Pulse' in favor of stripped-down genre thrills that keep the director's oppressive modern landscapes and bleak explorations of societal alienation intact.
We begin by discussing the origins of the two films as well as Kurosawa's history with V-Cinema productions, a direct-to-video market in Japan that carries few of the pejorative connotations associated with DTV films produced in western markets. Then, we unpack each of the films' takes on the revenge thriller - 'Serpent's Path' explores the ugly spiral of dehumanization that occurs as conviction gives way to the reality of doling out violence and asks if there is any justice to be found at the end of vindictive pursuit. On the other hand, 'Eyes of the Spider' explores the aftermath of revenge and the hollowness of life once the fleeting satisfaction of vengeance has been achieved. Finally, we look forward to this year, where Kurosawa is preparing a French-language remake of 'Serpent's Path', with a likely debut at the Festival de Cannes.
Follow Amber T. on Twitter.
Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
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Our theme song is "Mirror" by Chris Fish.
By Hit Factory4.3
7171 ratings
Leeds-based film journalist and podcaster Amber T. (@hornbloodfire) joins for a double feature discussion of bad vibes connoisseur Kiyoshi Kurosawa's V-Cinema revenge thrillers 'Serpent's Path' and 'Eyes of the Spider'. Written in collaboration with 'Ringu' screenwriter Hiroshi Takahashi and directed back-to-back within an incredibly short production period of mere weeks, the films sidestep Kurosawa's customary supernatural impulses seen in hits like 'Cure' and 'Pulse' in favor of stripped-down genre thrills that keep the director's oppressive modern landscapes and bleak explorations of societal alienation intact.
We begin by discussing the origins of the two films as well as Kurosawa's history with V-Cinema productions, a direct-to-video market in Japan that carries few of the pejorative connotations associated with DTV films produced in western markets. Then, we unpack each of the films' takes on the revenge thriller - 'Serpent's Path' explores the ugly spiral of dehumanization that occurs as conviction gives way to the reality of doling out violence and asks if there is any justice to be found at the end of vindictive pursuit. On the other hand, 'Eyes of the Spider' explores the aftermath of revenge and the hollowness of life once the fleeting satisfaction of vengeance has been achieved. Finally, we look forward to this year, where Kurosawa is preparing a French-language remake of 'Serpent's Path', with a likely debut at the Festival de Cannes.
Follow Amber T. on Twitter.
Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
.
.
.
.
Our theme song is "Mirror" by Chris Fish.

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