A missing wife, a loyal friend who knew too much, and a neighbor found in pieces—this wild middle chapter of the Durst saga is anything but filler. We pick up with Kathy Durst’s push for independence and follow the money: credit cards cut, tuition pulled, and a power play that hardens into motive. From there, we track Susan Berman’s role as Durst’s media shield, the suspicious timing of “gift” checks, and a chilling letter to Beverly Hills PD labeled “cadaver” with a telltale misspelling. It’s the kind of tiny clue that lingers when the headlines fade.

Then we head to Galveston, where Durst hides in plain sight as a deaf, mute woman named Dorothy Siner. Across the hall is Morris Black, a gruff neighbor who ends up dismembered and scattered in bags. How does a man who admits to cutting up a body walk on the murder charge? We break down the self-defense narrative, the missing head, and the courtroom optics that made “reasonable doubt” feel inevitable. Privilege, polish, and time do more than blur the truth—they can bend it.

Between case beats, we talk culture: why the internet clings to conspiracy, how memes like “Where are the bodies, Garth?” get traction, and what happens when fandom collides with reality. You’ll hear us grapple with messy nostalgia, the pain of fallen idols, and the uncomfortable space where art, myth, and accountability meet. If you crave true crime that balances receipts with real talk, this one’s for you.

Hit play, then tell us your strongest theory or the detail you can’t shake. And if you’re new here, stick around—Part 3 lands next with more revelations. Subscribe, share with a friend who loves true crime, and drop a quick rating and review to help others find the show.

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A missing wife, a murdered friend, and a neighbor found in pieces—this is the chaotic, riveting middle chapter of Robert Durst. We pick up where the tension never really cooled: Kathy McCormack Durst vanishes after a fight in 1982, a dean gets a bizarre “diarrhea” call, and friends beg police to dig deeper while the case drifts into a cold, uncomfortable silence. Years later, an ambitious prosecutor reopens the file and the circle tightens around Susan Berman, Durst’s fiercely loyal confidante with a Hollywood-tinged past. Then Beverly Hills police receive a single-word letter—“cadaver”—spelled exactly as Durst habitually misspells “Beverly.” Susan is found shot once in the head, no forced entry, everything left behind but life.

The spiral accelerates. Durst disappears to Galveston and reemerges as “Dorothy,” a mute, middle-aged woman living across from Morris Black, a cranky neighbor who soon turns up dismembered in the bay. Receipts, bags, a blood trail between apartments, and a CRV registration point back to Durst. He’s stopped with a pound of weed, guns, and wads of cash, then later caught stealing a chicken salad sandwich despite having money in his pocket and tens of thousands in his car. In court, the defense reframes horror into happenstance: a struggle, a gun that “just went off,” panic over pending scrutiny, and a clinical calm explained by an Asperger diagnosis. Without Black’s head, the prosecution can’t cleanly map the shot. The jury acquits on murder, convicts on tampering, and Durst soon violates parole by revisiting old ground—literally bumping into the trial judge at a mall.

This episode threads the needle between spectacle and substance: how privilege stretches timelines, how friendship blurs alibi and leverage, and how a justice system can falter when a life of evasion meets a lack of definitive evidence. We unpack the “cadaver” letter, the Beverly Hills misspelling, the Galveston dismemberment, and the courtroom calculus that turned a grisly narrative into reasonable doubt. We also keep it human—sharing laughs, drinks, and a country song palate cleanser—because the darkness goes down smoother when you can still breathe between beats.

If you’re hooked on true crime that challenges your assumptions about power and accountability, hit play now. Then subscribe, share the show with a friend who loves a twist, and leave a quick review to help more curious minds find us. Your take: did money outpace justice here, or did the evidence simply fall short? We want to hear it.

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https://matttejedalive.com/

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A billionaire surname, a broken childhood, and a vanishing that still chills the room—our Part One on Robert “Bob” Durst maps the fault lines before the earthquake. We start where the story truly begins: a boy watching his mother fall from a roof, a family that won’t speak of it, and a grief that hardens into distance. From Scarsdale to UCLA and back, Bob tries on new skins—bohemian, businessman, heir—while a lifelong loyalty with Susan Berman takes root in LA. Then the Vermont detour arrives: a small health food store named All Good Things, a soft-life dream that can’t outrun the pull of New York power.

When Bob returns to the Durst Organization, the contrast sharpens. He and Kathie McCormack marry, move into a penthouse with a postcard view, and live in a tension between quiet thrift and staggering wealth. Kathie pushes forward—nursing success and a drive toward pediatrics—while Bob narrows the world around her. Jealousy masquerades as concern. Control becomes routine: who she sees, what she spends, how late she stays out. Friends see the change. Hospital records whisper what words won’t. When Kathie seeks a divorce and a modest settlement for someone tied to a multibillion-dollar empire, Bob counters with financial lockout and renewed pressure.

The ending of Part One lands in South Salem. A dinner party hosted by Gilberta Najami, a different look on Kathie’s face and clothes, the calls from Bob, the early exit, and then silence. No sensationalism here—just a pattern that true crime listeners recognize: unprocessed trauma, coercive control, escalating risk, and a final night that feels prewritten by everything that came before. We pause on that threshold, ready to step into Part Two with questions about Susan Berman’s role, shifting alibis, and the machinery of power that surrounds the Durst name.

If this story has you thinking, help us keep going: subscribe, share the show with a friend, and leave a quick rating and review. Your support pushes the podcast to new listeners and fuels the next chapter of this case. What detail from Part One won’t leave your head? Tell us—we’re reading every note.

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A cozy New Year catch-up turns into a chilling origin story as we launch part one of our three-part dive into Robert Durst, the billionaire heir known as “The Jinx.” We start where the pattern begins: a childhood punctured by a mother’s death, a father’s distance, and early signs of a fractured personality that prestige and money could hide but never heal. From Lehigh to UCLA, we track Durst’s double life—achiever on paper, drifter in spirit—and the formative friendship with writer Susan Berman, whose mob-adjacent roots and fierce loyalty become a crucial thread.

The center of gravity is Kathy McCormack Durst. We follow her from dental hygiene to medical school, her hopes for pediatrics, and the subtle shift from romance to surveillance. The penthouse view didn’t change the rules: timed family visits, social isolation, and a cycle of jealousy and violence that her friends and family only glimpsed in pieces. When Kathy sought divorce guidance, the financial screws tightened. Then came January 1982: a bruising fight, a quiet dinner party exit in sweats, a call that pulled her back, and a husband’s claim about a train ride that no one can cleanly corroborate. After that night, Kathy is gone.

We balance darkness with a dose of culture—rewatching favorites, sharing music from local bands Tragic and Defy the Tyrant—because life is layered even when the story isn’t. This opening chapter lays out the power dynamics, personal histories, and choices that lead to a missing person case that still grips true crime listeners and legal watchers. Next up, we’ll trace the fallout, the friends who stayed close, and the moments where reputation collided with reality. If this hooked you, follow the show, share it with a friend, and leave a review—your support helps us bring more deep, careful storytelling to your feed.

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An outside fire, a s’mores board, and a finale that knocks the wind out of us—our New Year turns into a deep dive on endings, memory, and the stories that won’t let go. We start with a spoiler-free take on the Stranger Things finale and why fandoms split so hard at the finish line. Joy, grief, and the art of letting go collide as we compare it to the Game of Thrones endgame and make the case for a purposeful rewatch that reframes early choices with hard-earned context.

From there we pivot to a case rooted in our backyard: the 1989 disappearance of University of Florida student Tiffany Sessions. A newly circulating sworn statement adds a chilling layer—claims of a blood-soaked return home and a burial site possibly hidden in our county. We walk through what’s public, how to think about witness memory after decades, and why careful verification matters when a community is hungry for closure. True crime isn’t just mystery; it’s responsibility to people, timelines, and facts.

We also revisit Corpsewood Manor, our first-ever case, where Dr. Charles Scudder and Joey Odom built an off-grid pink-brick sanctuary in North Georgia during the height of the satanic panic. Their dream met rumor, resentment, and a robbery that became murder. It’s a stark study in how myth and fear turn neighbors into targets. And to balance the weight, we share music finds from heavy rock to unexpected genre blends, because discovery can be a reset after dark stories. We close by teeing up our next multi-part series on Robert Durst—the Jinx—where the red flags stack high and the twists come fast. Hit play, subscribe for the new series drop on Friday the 6th, and tell us: which ending taught you the most about letting go?

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A quiet holiday night, a clink of ice in a glass, and then a hard turn into two cases that still haunt the true crime canon. We start with the 1929 Lawson family murders, a Christmas story no one wants but everyone struggles to understand. Charles Lawson dressed his family in new clothes for a portrait, sent his oldest son to town on Christmas morning, and then killed his wife and children before taking his own life. What explains the unthinkable: a head injury, a suspected pregnancy involving daughter Marie, or something else we can’t fully prove because the record is so thin? We examine the timeline, the small-town lore that followed, and the strange afterlife of the home as a tourist stop where the family’s untouched cake sat in a glass case, raisins picked off by visitors like grim souvenirs.

From there, we step into the McMartin Preschool trial, where the 1980s satanic panic met flawed interview techniques and exploded a single allegation into nationwide hysteria. Tunnels, robes, children flushed through toilets—claims that drove excavations, media frenzies, and court battles, while physical evidence failed to keep pace. We unpack how suggestion shaped children’s statements, why a photo lineup once ended with “Chuck Norris,” and what happens to families and institutions when fear outruns facts. These stories don’t sit side by side by accident; together, they reveal how communities try to make meaning from shock, and how narrative can either clarify or consume.

Along the way, we share the sources that helped us navigate the gaps—Disgraceland’s connective tissue, the hard-to-find White Christmas, Bloody Christmas, and the scattered archives that keep these histories alive. We also keep it human: a few sips of “conversational bourbon,” New Year schedule notes, and space for your case requests and music features. If you appreciate careful research, clear-eyed storytelling, and a little warmth around difficult topics, you’re in the right place. Hit play, subscribe, share with a friend who loves true crime without the sensational spin, and tell us: which theory makes the most sense to you—and why?

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A raisin-topped Christmas cake, a formal family photo, and a North Carolina farmhouse in 1929—this story sounds like fiction until the facts line up. We start warm and human with holiday traditions, grandkid adventures, and the kind of music memories that glue families together. Then we trace the Lawson family case step by step, from sharecropping roots and a puzzling December shopping spree to the devastating sequence on Christmas Day and the ritual staging that followed. It’s a tough listen, handled with care, because the questions it raises are bigger than a single crime.

We unpack the most credible theories with clear-eyed context. Did a head injury alter Charles Lawson’s temperament in ways 1920s medicine couldn’t detect? Did incest and a suspected pregnancy drive a catastrophic attempt to erase shame and evidence? Was the lone surviving son spared because he could resist? Along the way we examine how communities metabolize horror—through macabre tourism, murder ballads by the Carolina Buddies and Dr. Ralph Stanley, and ghost lore that insists snow won’t settle on the killer’s grave. Folklore doesn’t solve crimes, but it reveals how people reach for order when reality refuses to make sense.

This conversation also shines a light on what to do now. Head injuries deserve immediate evaluation. Family secrets that endanger kids demand action, documentation, and support. Memory—whether told in plain speech or carried in song—can be a safeguard when we choose to learn from it. We close with a fresh music feature from Good Boy as a palate cleanser and a reminder that art can hold space for hard truths without letting them have the last word.

If this episode resonated, share it with someone who values nuanced true crime, hit follow so you never miss a drop, and leave a quick review telling us which detail stuck with you most. Your notes help more curious listeners find the show.

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A peppermint coffee in hand and a heavy story on our minds, we sit down to revisit the kidnapping and murder of 11-year-old Sarah Haley Foxwell and the decisions that failed her. This raw, unedited recap cuts through the noise to look at how a repeat sex offender moved through the system, why “good behavior” behind bars can be a dangerous metric, and what it takes for a grieving family to turn loss into lasting change.

We unpack the case through Jen’s perspective—Sarah’s mother—whose interview on The Other Side of Goodbye anchors our research. From the early signals and family stressors to the tragic night and the courtroom outcomes, we map the chain of events with care. Then we shift to policy and prevention: the gaps between jurisdictions, the manipulation tactics offenders use, and why Maryland’s Sarah’s Law raised the floor for sentencing and removed early release options for child sex offenders. It’s a sober look at justice that asks hard questions about what deterrence actually requires and how laws can reflect real risk rather than remorse performances.

We also open up about the craft and ethics of true crime storytelling. The research is heavy, the edits are heavier, and our commitment is to center victims, show our receipts, and transition with music that gives the audience a moment to breathe. Along the way, we highlight indie bands we’ve partnered with—and why creating space for art after hard truths can help listeners regulate and reflect. Before signing off, we preview our upcoming multi-part dive into The Jinx and invite you to send case ideas and drink recipes for future episodes.

If this resonated with you, follow and share the show, leave a review to help others find it, and tell us: what change would make the biggest difference in protecting kids right now?

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A cozy holiday hang—warming up vocals, trading birthday plans, laughing about sweaters—becomes a stark lesson in vigilance when we turn to the kidnapping and murder of 11-year-old Sarah Haley Foxwell. That tonal whiplash is intentional: joy is what we’re protecting, and Sarah’s story shows how quickly comfort can fracture when a predator knows the spare key and the routines inside a home.

We trace the human threads first. Jen’s earlier loss of an infant, the pressure to “move on,” the strain of working as a traveling nurse, and family friction—all of it shapes why her children were staying with relatives. Those realities don’t assign blame, but they do expose where risk can hide: a back door near a kids’ room, a dog that stays quiet for a familiar visitor, and a green toothbrush that later anchors the case. When Emma, just six, whispers that “Mr. Tommy” came in the night, the investigation focuses on a repeat offender with a history in Maryland and Delaware—someone who, despite prior convictions, kept returning to the street.

We work through the details with care: the evidence, the timeline, and a defense strategy that tried to discredit a child. The sentencing lands, the death penalty doesn’t, and we confront the uncomfortable truth about protective custody for those who hurt kids. There’s a hard conversation about forgiveness as a tool for survival—not absolution—and about the difference between justice that is legal and justice that feels like accountability. Out of tragedy, Sarah’s Law strengthens sentencing and tightens the sex offender registry in Maryland, a fix that should be national, not state by state.

Along the way, we swap practical steps that matter: rethink how you hide keys, control who knows access points, run background checks, and trust your gut even when a partner’s story sounds “misunderstood.” Community action—like the yellow ribbons that covered mailboxes during the search—proves how much people can do when they’re informed and engaged. Stay for the music and warmth at the end; it’s how we exhale after heavy truths. If this story moves you, share it with one person who needs the reminder. And if our work helps you stay alert without losing heart, follow the show, leave a review, and tell us what case you want us to tackle next.

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https://www.fleurseule.com/

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A Christmas singalong turns into a hard pivot, and for good reason: we’re stepping into one of the South’s most contested cases, the death of Kendrick Johnson, a 17-year-old athlete found upside down in a rolled gym mat at Lowndes County High School. The official story says accident. The details refuse to cooperate. We walk through the timeline with clear eyes—how the mats were stored, where the shoes actually lay, the students who came into the gym minutes later, and the six-hour delay before the coroner was called. We look at the surveillance gaps, the blood that wasn’t tested to identify a source, and the power dynamics around key figures who insisted they never saw Kendrick that day—despite footage later placing everyone within feet.

From there, we follow the family’s fight: exhumations, independent autopsies, and a forensic report pointing to blunt force trauma. We talk about what it means when organs are missing and a body is stuffed with newspaper, and why embalming practices, evidence custody, and medical examiner documentation matter so much in cases like this. Along the way we highlight reporting, documentaries, and community activism that kept the story alive, as well as the lawsuits, counter-suits, reopened investigations, and a substantial reward that still hasn’t yielded an indictment.

This conversation isn’t about sensationalism; it’s about accountability. If the system calls something an accident, the evidence must be able to stand in daylight. We’re close to Valdosta, but proximity isn’t what keeps this case in our minds—integrity does. If you’ve followed the Kendrick Johnson story or have verified updates we missed, reach out. And if you’re new to it, start here, then watch the documentary Finding Kendrick Johnson and review public records for yourself.

If this episode moved you, help the signal travel. Subscribe, share with a friend who cares about justice, and leave a review telling us the one question you still want answered. Your voice helps keep the truth from getting rolled up and put away.

LETS ALL GET TOGETHER AND GET JUSTICE!

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https://www.instagram.com/the.new.machine/?hl=en

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Ready to explore more shocking true crime cases with us? Subscribe to Drink About Something for new episodes every Friday, and visit drinkaboutsomething.site with links to see all our content, including visual evidence from the cases we cover.

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