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My conversation with interdisciplinary artist, researcher and consultant Helen Yung who leads the Laboratory for Artistic Intelligence, an artist-driven transdisciplinary research group that specializes in reimagining how things work in the world. Led by artists, this Lab collaborates with people in community, culture, astronomy, physics, psychology, medicine, immigration, mental health, information sciences, education, and more. Helen is a sparkplug of creativity and innovation. I had the pleasure of attending a presentation by Helen about her work at the Worldmaking as Creative Practice gathering in Tkaronto on May 29 and 30, 2025 which was hosted by the Creative Communities Commons at University of Toronto's School of Cities and led by Artist-Researcher-in-Residence Shannon Litzenberger. You’ll hear Helen and I refer to this Worldmaking gathering throughout our conversation, for example, when I ask Helen about art as refuge. At the end of the episode Helen invite listeners to join the to the Forum for Artistic Intelligence (ART/INForum).
A note of thanks to EM Luka, a good friend and collaborator of Helen's, who participated in the conversation but was not included in the final edit due to time constraints.
Show notes generated by Whisper Transcribe AI
Action points
Story Preview
Imagine a world where art safeguards culture, bridges divides, and sparks imagination. Helen Yung shares her vision of art as a sanctuary and a catalyst for understanding our pluriversal world, challenging us to reconsider the role of creativity in society.
Chapter Summary
00:00 The Value of Cultural Practices
01:24 Introducing Helen Yung
03:42 Pluriversalism and Artistic Practice
07:05 Art as a Refuge
11:14 Roots and Artistic Identity
Featured Quotes
Behind the Story
Helen Yung discusses her work with the Laboratory for Artistic Intelligence, emphasizing the importance of bringing artistic methods into various societal sectors. The episode touches on the Worldmaking as Creative Practice gathering, where ideas of art as refuge were explored. Helen advocates for pluriversalism, highlighting the need to appreciate and integrate diverse perspectives in a global context.
*
END NOTES FOR ALL EPISODES
Hey conscient listeners,
I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa).
It’s my way to give back.
In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish free ‘a calm presence' Substack see https://acalmpresence.substack.com.
Your feedback is always welcome at [email protected] and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.
Share what you like, etc
I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible.
Claude Schryer
Latest update on July 8, 2025
5
44 ratings
My conversation with interdisciplinary artist, researcher and consultant Helen Yung who leads the Laboratory for Artistic Intelligence, an artist-driven transdisciplinary research group that specializes in reimagining how things work in the world. Led by artists, this Lab collaborates with people in community, culture, astronomy, physics, psychology, medicine, immigration, mental health, information sciences, education, and more. Helen is a sparkplug of creativity and innovation. I had the pleasure of attending a presentation by Helen about her work at the Worldmaking as Creative Practice gathering in Tkaronto on May 29 and 30, 2025 which was hosted by the Creative Communities Commons at University of Toronto's School of Cities and led by Artist-Researcher-in-Residence Shannon Litzenberger. You’ll hear Helen and I refer to this Worldmaking gathering throughout our conversation, for example, when I ask Helen about art as refuge. At the end of the episode Helen invite listeners to join the to the Forum for Artistic Intelligence (ART/INForum).
A note of thanks to EM Luka, a good friend and collaborator of Helen's, who participated in the conversation but was not included in the final edit due to time constraints.
Show notes generated by Whisper Transcribe AI
Action points
Story Preview
Imagine a world where art safeguards culture, bridges divides, and sparks imagination. Helen Yung shares her vision of art as a sanctuary and a catalyst for understanding our pluriversal world, challenging us to reconsider the role of creativity in society.
Chapter Summary
00:00 The Value of Cultural Practices
01:24 Introducing Helen Yung
03:42 Pluriversalism and Artistic Practice
07:05 Art as a Refuge
11:14 Roots and Artistic Identity
Featured Quotes
Behind the Story
Helen Yung discusses her work with the Laboratory for Artistic Intelligence, emphasizing the importance of bringing artistic methods into various societal sectors. The episode touches on the Worldmaking as Creative Practice gathering, where ideas of art as refuge were explored. Helen advocates for pluriversalism, highlighting the need to appreciate and integrate diverse perspectives in a global context.
*
END NOTES FOR ALL EPISODES
Hey conscient listeners,
I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa).
It’s my way to give back.
In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish free ‘a calm presence' Substack see https://acalmpresence.substack.com.
Your feedback is always welcome at [email protected] and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.
Share what you like, etc
I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible.
Claude Schryer
Latest update on July 8, 2025
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