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As Radio 3 marks the 400th anniversary of William Byrd’s death, Tom Service visits Lincoln Cathedral, the centre of musical activity where the composer held positions as organist and master of the basilica’s choristers early in his career. He talks to the scholar Magnus Williamson about how the building’s acoustics shaped Byrd’s compositional voice, and speaks to both the cathedral’s current Director of Music, Aric Prentice, and Lay Vicar, Thomas Wilson. He’s also joined by four leading British composers and musicians who have worked with Byrd's music: Cheryl Frances-Hoad, James Weeks, Gabriel Jackson and Laura Cannell. They each discuss how they have worked Byrd into their own compositional voices.
Ahead of her Prom with the BBC Symphony Orchestra later this month, Tom also hears from the conductor Elim Chan. Winner of the Donatella Flick LSO Conducting Competition in 2014, she tells Tom about her journey at the helm of several of the world’s leading orchestras and why being on stage feels like being a rockstar.
By BBC Radio 33.7
1414 ratings
As Radio 3 marks the 400th anniversary of William Byrd’s death, Tom Service visits Lincoln Cathedral, the centre of musical activity where the composer held positions as organist and master of the basilica’s choristers early in his career. He talks to the scholar Magnus Williamson about how the building’s acoustics shaped Byrd’s compositional voice, and speaks to both the cathedral’s current Director of Music, Aric Prentice, and Lay Vicar, Thomas Wilson. He’s also joined by four leading British composers and musicians who have worked with Byrd's music: Cheryl Frances-Hoad, James Weeks, Gabriel Jackson and Laura Cannell. They each discuss how they have worked Byrd into their own compositional voices.
Ahead of her Prom with the BBC Symphony Orchestra later this month, Tom also hears from the conductor Elim Chan. Winner of the Donatella Flick LSO Conducting Competition in 2014, she tells Tom about her journey at the helm of several of the world’s leading orchestras and why being on stage feels like being a rockstar.

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