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This week we are joined by co-founder of Topshelf Records, Kevin Duquette! We kick things off by talking about Lana Del Rey's reaction to music criticism, and review the new records from Bat For Lashes, Frankie Cosmos, and Peaer. Then we talk to Kevin about the history of his label, his work with international artists, and the struggles of promoting music you believe in.
This week we are joined by the owner and co-founder of Father Daughter Records, Jessi Frick. We talk with Jessi about running her very unique label, and review some new albums from Sheer Mag, Whitney, Lana Del Rey, and Black Belt Eagle Scout.
This week we are joined by Endless Scroll's Pop Correspondent, Julie McLafferty to talk about the new albums from Jay Som, Esther Rose, and Taylor Swift. Then we move into discussing Swift's career, her decision to re-record her albums, relationship with the press, and her effect on stan culture in the 2010's.
This week we are joined by one of Eric's oldest friends, Ashley Miller, to discuss whether "Event Albums", or major releases from popular artists still have the power they used to. Plus, we chat about the new albums from Oso Oso, Sleater-Kinney, and Bon Iver.
This week we are joined by music journalist Michael Brooks. We talked about new releases from Marika Hackman, WHY?, and Maneka. As we approach the 2020's, we use the framing device of forthcoming "Best of the Decade" lists to debate the 2010 releases of Kanye West, and ponder whether his public persona will have an effect on how he stacks up. Plus, we mourn the losses of David Berman of Silver Jews, and Purple Mountains, and Phil Haggerty of Somos.
This week we are joined by the one and only Jamie Coletta of No Earbuds! We talked about what she does as a music publicist, how No Earbuds came to be, and chatted about new tunes from Florist, Strange Ranger, Dude York, Camp Howard & Bethlehem Steel
This week we are joined by music fan (and Eli's girlfriend) Rowan Connelly, to discuss new music from Bleached, Cool Original, and Girl Friday. Then, we dive into some discourse surrounding representation in the indie music world, and the erasure of non-male hardcore fandom.
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