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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
Equinox+ (EP)
Love brings me out of my shell;
—I could love you, I
I could love you, I
Could love you, I
Could love you,
I love you
I love you, I
This isn't good for my health;
If you don't love me,oh well —
(I could love you, I)
This is just passing the time,
Count my dimes and,
I'm wealthy, you build me up
Shining, I wake you up
Diamond of mine,
I love you, I
Love you I
Do what I want most the time,
Cause nothing else matters but
Making you mine
I, so what I want most the time
I can't get out
Out of my mind,
Cause I love you
I love you I,
Wasting my time,
I could love you but
Nevermind
Drunk,
And I'm stumbling up to my apartment for
The 30th time this month,
My rent's due tomorrow, but
I got it,
Woah,
I've got just enough
Just to keep fuxkin up
Getting fucked up
And filling my cup
Like it's something,
But it's nothing,
Not really
Nothing,
Not really
Be good
Work it out
Come on
Work it odd
Be good
Shake it off
Work it out
Come on
Be good,
Work it off,
Work it out—
Come on
Be good
Work it out
Shake it off
Come on
—
We all know
There's a monster in there
And it wants let out;
All man, beware—
Yeah
We all know
There's a monster in her—
And,
Someone will let it go
Oh,
Someone let it go
Oh, no (oh yeah)
Oh, no
That's no good
That's no good
Oh no
(Oh yeah)
Oh no
(Oh yeah!)
No, no
You just had to let it go
You just had to let it go
Oh, no!
—
I need time
To rationalize my genius
I can't write light this
Alt right all white nationalists
I can fantazize, right?
I could die like this
It's a damn good life
What fucking time is it, anyway?
Right?
I can't rationalize, this
Fascist rats at The Fashion district
Bam, I had it—
I had to get right, man
I had to get God on my Mantras
I fucked up tomorrow,
I'm off in Toronto with problems
And dogma—
Who's dog is this
Tied up at the Whole Foods market
I tried it, I died in the in
I can't idolize idols, man
Cry, though,
Dip my bicoff in Chiapas coffee
All pissed off,
Woah
It's the wrong morning to wallow in
Caught me off guard at the offering
Sha, there's no mother here,
No other one,
You're wrong God,
I stopped to cross at all of them,
I suffered when I swallowed,
Rah,
What's wrong?
I'm feeling solemn on my sodomist
Wishes of
This centrifugal
—‘swimming with the fishes,
Get it?
Woah,
It's a whole open world of
Wizards and witches
I wish I could ditch this
—the center or attention is this city—
That's Alex Tribec, for the record
Fuck the TriBeCa fest
Rest in Los Angeles
Rest in peace Barbra
Hah—
I've got all of em
This is an awful lot of mantras,
Stars and Stripes. God;
I lost it at the Oscar's,
Turn me on, or off
I'm all of it
Or not
What was the cost of this?
An awful lot of mantras, stars,
And crosswalks,
To stop dead in the center of
“I'm miserable
That's Hollywood for you, God,
That's Hollywood,
That's where we dropped you off
—
Have you had enough, yet?
How was is?
Enough!
I'm not even fully up yet!
Fuck,
It was loveless,
All up in ashes,
I told ya,
That “fun is a friend of the devil “
Burn in sense,
Just rub out the sense
Have my lips on your hips,
Just rotate,
As the earth did,
In difference, she has
Impatience is his imperfection
“Eventually,”
She says,
“I'll see him”
He tends to agree,
Within reason—
Winter breezes and freedom,
This season
Envy leaves,
But she's gonna get even
Come in threes,
And maybe,
We'll see then.
Come to the surface,
Come up—
Don't give up yet
Give what you've got;
Half a lung,
And the other is under—
Come on,
Come up,
Come all—
Come, you're walking on water!
No wonder they call for you
On earth
—
(We've got a Hot One, for you)
Have you ever wondered
What's wrong with us all?
Fuck—
Hollywood's calling,
I don't have my phone on me
Hollywood called,
But your voice Mail is full,
What?
I finally picked up;
The message at the tone,
Was in Morse code
Billy fit the Playbill,
I signed it “usnavi”
Yo,
You look just like me
A sacrifice?
A sacrifice,
I said,
I'm red,
I'm jealous like I've never been
That's right, blue eyes then
Next lifetime
Fu—
They robbed me of all my art
As a hobby
Worshipped for All I've got
Not a god yet, but
Gotta be working on something
That's all of it,
Gotta be knocking it off,
Full of gossip and
God, I want love
But it's not in the cards, huh
New Joan Of Ark,
Where's the war
That you wanted
Not enough talk,
But I've done enough walking
Gosh,
Two thumbs up,
All applause from the audience
That what you wanted?
Yeah!
“God I want love but it's not in the cards yet”
That's what you wanted?
Yeah!
That's what you wanted
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
KASKADE enters obnoxiously.
KASKADE
YO.
MAN. FUCK YOU, KASKADE.
KASKADE
[WATCH YOUR] LANGUAGE
MAN, SHUT THE FUCK UP.
KASKADE
GET UP—
FUCK OFF, KASKADE.
KASKADE
—And get dressed.
I'm already dressed.
[beat]
KASKADE
You call that dressed?
—I'm not naked.
KASKADE
Yeah, but you're not dressed.
Fuck you, dude.
What did you do.
I TOLD you not to play this song.
I WASNT PLAYING. I was LISTENING.
What's the difference!
SUBWOOFERS.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
I was certain that I only had one hair tie around my wrist, and as I read, not so coincidentally my book on magic, knowing that certainly what was happening was incredibly magical indeed, as I felt something creeping up my forearm, still somewhat shaken by my dream of not simply a spider, but a very large black and yellow tarantula—startlingly sweeping my arm to find that the disturbance was not intact a pest or creature of some sort, as originally assumed—however, instead a black hair tie, which I often used to pick up, however ironically was typically in short supply of when I needed one, and, given the privelege to wear my hat at all times as of lately— I hadn't needed one, and I hadn't been picking them up at the frequency that I used to certainly. This was strange—and under the impression that the inner workings of a spell were indeed in play, after having seen none other than increasingly mysterious Dillon Francis character—or even, rather, the handsome bastard Hazel quite so stopping the music to light candles —to which I had thought quite loudly
‘Oh, no!'
Even if it was a game, he was good at playing it—and even if it was a game I made up—I didn't quite yes remember how exactly to play it…and this one as hilariously dangerous, as figures I knew to be obstinately powerful we're having a field day with my psychic psyche. I knew some things, but never all—and even in the omnipotent all knowing, playing dumb was the only card.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
--and though the best thing in life are free,
rides are not
I paid for my ride up town
in uncomfortable gestures
and unwelcome gropes,
perhaps it is time to leave the world behind after all;
no love left here,
just money and lust
I've got trust issues,
eapecially for Muslims with mustaches,
(at least now)
If the wind blew down your door,
How would I call for you?
—Through her, I suppose
And the silk of her hair,
Or the satin of her dress,
—
Oh, it's almost admissible,
Surely admirable,
Worth a smile or not,
That all the world is words,
In the end,
As I tear down my worlds,
and start over from One
And I've already stopped enough once for today,
I think
Surely, what you'd like is just
The time to get it all to nothing
(Never had I wanted it or needed it)
The phone was ringing,
But I'll never be off the hook again,
If you look for the proper way to move forward,
You'll never find it,
Especially looking behind you
(Always looking behind you—
Head in the past
Just like you
It's just like me,
Too,
To sit down and decide a whole song about you
While taking it all down.
I'm never distraught with the thoughts of a stranger,
Oh, on the contrary;
You should be mad about battle,
But I'm all for the veterans and
And never off if we were not at war with one another, but
Then again,
That's all we've ever done
It would be
Devastating
To even think of
Something more clever
“Clever and splendiferous confectionary efforts,
Just spectacular concessions my dear; I'll have another.”
Hadn't I deciphered once or twice the rhyme for riddles down to dollars and cents?
I did, I thought, once.
I never hindered Heaven from pondering over my shoulder once or twice upon a full lit moon, which under I predicted my own fortune.
Once— or twice, but—
Nevermind, or nothing;
Indifference, for instance, instantly inscessent ancestral insimination incriminating risidual visuals uhh
—From the festival.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
[The Festival Projext]
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.