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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
DIPLO, you dipshit.
I told you.
I had to!
Now, we're fucked.
We're not fucked—
—you're all FUCKED—
I told you.
Welp, my bad.
I hate you.
No you don't.
WHERE'S DILLON FRANCIS?!
I'm not here.
He's right here.
That's not funny.
Let me see—
Fuck this shit.
WHERE'S MY HERO?
I don't know…
YOU DO KNOW.
I know music…
I AM MUSIC.
...I know you.
WHERE IS IT?
...I lost it…
WHERE IS— THOMAS?
[asskissy] Yes, sweet Jesus?
GET IN HERE.
[in an apron] I'm right here.
Dillon Francis: that's my apron.
Suck my dick.
Watch the language!
Sorry, my love—
—thank you, Jesus—
EAT MY COCK.
That's much better.
You are evil!
Now I'm a superstar DJ (DJ)
Everybody wants to be my friend (no new friends)
Now I think back on the old days (old days)
Nobody could even lend a hand
Now everybody want a hand out (hand out)
But I guess I gotta put my foot down
Making hella money, I'm a cash cow
Call me a show stopper, draw a big crowd
I'm a King, they put me in a big crown
But I still stay sober, I don't drink Crown
Royal, I am royalty, they now down
I hate my ex Annie, she a loud mouth loud mouth
Now—
I'm a superstar
DJ DJ DJ DJ DJ DJ DJ DJ
Now—
“Wow!” I'm a superstar
DJ DJ DJ DJ DJ DJ DJ DJ DJ
DJ DJ DJ DJ DJ DJ DJ DJ
DJ DJ DJ DJ DJ DJ DJ DJ
DJ DJ DJ DJ DJ DJ DJ DJ
DJ DJ DJ DJ DJ DJ DJ
Now I am a superstar DJ
DJ is essentially “the bad Dillon Francis”,
Lol how are we still writing about him.
Idk, fuck it.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
The first time he wandered into the storefront, I of course immediately avoided any direct eye contact, as I typically did with any attractive Caucasian male, especially in thick glasses—not that I noticed who he was at all before Nick mentioned it—and not that I actually did believe Nick at all when he did; I had immediately looked away, anyhow, and rightly so.
“You remember that show Drake & Josh?” , asked Nick coyly, as the man exited
“What about it?” , I asked unassuming Ku
“That's that nigga Josh Bell”, he nodded—
“Oh”, I bawked, thinking twice to correct him, but instead opting to seem unaffected—mostly I thought he was lying, but it at least had sparked my imiagination enough to remember I had begun writing about Cosmo and Wanda's life after the conclusion of Fairly Oddparents, not yet having returned until now to inspiration—suddenly I was flooded with the remnants of a song I had once loved enough to keep on repeat, which I was of course prompted to listen to as soon as possible, and with which a story unfolded in front of my eyes and beneath my feet, as I left to work the next day with my then-newest mix ringing in my ears—and an actual narrative for Timmy Turner himself, now reaching middle age, as I was— and, to my suprise, a couple nights and a million lifetimes later, when the well dressed man caught my eye again, after having resisted the urge to waste a Google just to verify what may well have been a farse—God took the liberty of playing show-and-tell—and for some reason, it was his voice, along with a quick and striking once-over, that it was in fact Drake Bell once more—and rather than his stardom that made me nervous, it was perhaps more so that he was, in fact, extremely attractive, especially my type—and actually, probably at most—the overflow of things I had written and already published about him in my imaginary world—the place where I lived, but wasn't entirely sure anyone else was aware of.
His pink sweatshirt and ball cap tempted me to Google exactly what it was Timmy Turner used to wear—in my creative headspace, I thought to myself, blushing a little as he walked away, still swinging to the Detroit Drill music in the background
“What's Timmy Turner up to tonight?”
Perhaps it was my sex drive getting the better of me—I had wholeheartedly been indulging in the tater tots at the hot bar for three nights exactly—but at least I was back in the gym, where I listened over my mixes, playing over Timmy Turner by Desiigner, envisioning the Fairyless Timmy's trials, intermingling the fictional trademark into my multidimensional science fiction fantasy-action world—and somewhat hoping the real-life Drake has no way to creep into my ultra-conscience hyper sexual fantasies, disallowing my mind to run too wildly.
It was late at night, or rather, early in the morning—and I was just the girl at the smokeshop—meanwhile, in the fourth dimension, Timmy Turner was more than likely..
SUPACREE
TURN UP, TURN UPPPPPPP!!!
DRAKE BELL
Goddamn, girl.
SUPACREE
SHUT UP, DRAKE—
DRAKE
WHAT I DO?!
SUPACREE attempts a whippet—but the can is empty.
SUPACREE
not you, dumbass.
DRAKE continues dusting.
DRAKE BELL enters the suite.
CONT'D
This dumbass.
She attempts another huff from the empty can
SUPACREE
this shits out.
DRAKE BELL
Jesus Christ.
JESUS CHRIST
WHAT?
BOTH
NOT YOU.
SUPACREE CONT'D
—you get my whippets?
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
This isn't funny anymore
Everything is Skrillex
And nothing is Skrillex
Everything is asinine
And no one is Sonny
Extraordinary sightseeing
Nothing is normal
Everywhere to escape to
With a guilty conscience
Bad credit karma
Bad regrets and sad faces
Always falling in love with our opposites
More of the bad things,
Less in good graces
Everyone's a DJ
I'm just a blind space kid
A recruit wishing to be a cadet
A teenager in the basement with a
Two Tom drum set
And no kickdrum
Caught inside a snare pattern
Lips stitched together like a scarescrow
Or a raggedy Annie
Caught in a psychic state of trance
Look, I don't give a fuck. Or a shit. Or a Goddamn what really happens next. I live in a world where crop tops and a snatched waist, glamourous pictures and videos of anybody pretty doing anything gets attention; and not just attention--moneyary advantage. I'm fat, and black--i have to work 100 times as hard and be 1000 times as smart as anybody cute with a fucking camera phone and half a brain to get noticed. And why do I want to be noticed? Because I'm a prime example of what happens when NOBODY gives an actual shit about you your entire life, and all you exist for is to serve other people. I'm completely disposable, completely replaceable, and completely unrarkable in every single sense of those words, respectively, and--maybw not infinitely-- but I definitely in this lifetime. Have you been on the internet lately? Have you seen a music video? Watched any movies?
You show me ONE media phenomenon with a protagonist that looks like me--ONE representation of "my type"-- and I mean a positive representation; one that predictively programs individuals to think I might be worth something more than a laugh or eggaerated stereotype, before I open my mouth. Go ahead. I'll wait.
…
Right. Because--and it's not like you didn't know this--i live in hell. Maybe, I wasn't born in it--who really knows? But I've been here most my life, at least as far back as I can remember because hey; what's infantile amnesia, and why doesn't mine work like everybody else's? And oh, right--synestesia? Everybody has that, right? I guess so. And HEY, I might be the most disgusting individual in the world if I take off my clothes--but who doesn't love a rave right? A RAVE. WHICH, IF YOU HAVENT NOTICED IS NO LONGER JUST A DANCE PARTY, BUT A SEX-BASED FASHIONED SHOW, to which, I look ridiculous coming to, with my midriff out.
So, you want to be like everyone else?
No. I want to look like everyone else; so that it's actually noticable when I do something great, or hey, even if I do something mediocre, or senseless, people love it--cause hey, she's hot.
You just want to be hot?
Fuck yes I want to be hot.
That's it.
That's literally the entirety of meaning for a female in this, present day and age; and anyone who can try to argue against that is probably great looking. When you're hot, you don't have to do anything else; someone is always going to be wking--even begging-- or paying to do it for you. Intelligence at that point is just a bonus; anybody whose going to like you is going to like you no matter what you say or do; in fact you're more than likely to get away with doing dumb, senseless shit if you're doing it in a bikini--and anybody who doesn't like you is more than likely jealous--unless you're just a shitty person, which trust me, I get is the case for a lot of barbie dolls out there but; you can't be a fat, ugly, angry shitty person and get far in life--at some point you have to adjust your attitude for everyone not to hate you--the opposite stands for beautiful people. You can pretty much do anything, if you look good doing it.
So...you want to be a shitty person.
No. I'm already not. But I'd rather continue burning in hell "forever" than start over and be in the same predicament.
So?
So. I'm already in hell. I can't wear what I want. I can't date who I want. I can't listen to what I want. I have no friends. And nothing--nothing I do; no matter how much I pray, or meditate, or fast--nothing is going to take this body who nobody wants--and make it beautiful, except money. I will never have enough money, no matter how hard I work, to fix this--or any of the other fucked up shit in my life--
Not with that attitude!
THIS IS MY ATTITUDE AFTER TRYING. Its been 27 years of this shit. 27 years of being the last to be picked, 27 years of being the weakest link. And I'd literally rather die at this point than to keep moving forward in this monotony, thinking that just thinking is going to one day just cure my ADD. That it's going to make my mother believe in me. That it's going to suddenly just, up and fix my life in all the ways i--believe me--already tried to fi
If walls could talk,
They probably wouldn't still,
Just stand in shock and awe
And If I could, I wouldn't walk through walls at all,
Because I'd fall,
And if I had your number, I'd do anything but call,
I'd wait for you to, just assuming if you loved me
That we wouldn't even need a phone to talk,
No need to call, you're right beside me
Loving al the fatal flaws,
I try to hide,
But there's no hiding
When you really are in love
Between my thighs, a lie
A snakebite, scars I hate
So thanks,
I really haven't changed at all
This heart, as heavy as it's going to be
has everything i'll ever need,
So leave me, just leave quietly
I'm almost sleeping, almost dreaming
Almost leaving everything behind
But I'm reminded why
I wish the world was colorblind
And just the way that I can't like
What my eyes don't find to be
Aligned with what attractive means
Might be the way you think of me
Or anybody, really,
But i'm supposed to be this independent goddess
With the confidence of not a single molecule
The hottest, not by far, or even father
I just want to have a family,
I just want to raise a daughter
And another, and it's awful
Poverty is all but lost
And everybody thinks that everything's just supposed to be this
“Oh, that's just the way it is”,
But really they're just stuck on
What is “Stupid”?
Stupid means to just do everything
For nothing and if “unfair”
Means “I gpt iit from my”
Whatever inheritance is.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Idol//Icon
I'm an idol
I'm an icon
Depending what planet you're on—
I'm a God
I wrote the whole plot
And it's just getting started
Haven't thought of the sea, since I parted it
I'm the whole rock that you're spinning on
Now, move among, Mohammed
I'm the reason for your Ramadan
I'm offline
I'm an idol, I'm an icon
Have you all on standby,
I'm an idol, I'm an icon
Have you standing in line
I'm an idol, I'm an icon
I get what I want
I'm an idol, I'm an icon
I'm a God
I don't think anything nessicarily
Unpredictable, even if it's all just
A simulated experience,
We captured it,
Encrypted it, the memories,
And every single event leading up to this
We reinvented it,
The existential simulation
Existence is just a reflection of
Perception's circumstance
The circumference of consciousness
Conception to the ever present
This is the revolution,
Prophesied and lived in
God's Camouflage
And Dillon's Daisies;
All the beautiful people in the world hate me—
But the true beautiful people are crazy
You see?
I feel it from the inside
Run, but can't hide
The American nightmare
Is plainly insight
If you open your eyes
Wide enough
Show me something undercover
Anothe God, maybe a lover
Perhaps a future, or a fire
Or a fountain, or a fighter
Right to bear arms,
You are the Army
I am the honor
And the armor
To penetrate with enragemenr
Engagementsx
Fulfillments
So fluid, the intuition
The truth and the beautified intentions
Revocations needed,
And Socrates repeated in genetics
Reptiles and mammals, insects
—And disrespected citizens in Radissions at Ramadan
—The Importanxe of Coffee
Spring is here,
And he is risen
Spring is here
We are Alive again
Spring is here,
And she has risen
Spring is here
We live again
Destructive forms of thought,
forums and collegium's
Foraging for wonders
Often said to be lost,
Or never throught of
Yet,
I seek to wonder
Seek to run
And seek to shatter alters
Fit the form of
All who also seek to know us
I don't know what day it is
I don't know what works we live in
I don't know to pray to Jesus
I just pray
That's all that he did
I don't know what I believe in
Know it's God, but God is different
Always represented “him”
But never represented women.
O'HARA'S BAR, MANHATTAN. NY
And I couldn't.l care less
Cause I'm not pressed for time,
You see—
It's all just lessons and guessin,
Depressed expressions of the greatest institution to ever have lived—
But the more that you get,
Than the more you should give
Okay,
If you say so
That's the way it is
That's the way it goes
But there's only God
And God only knows
The story you tell
Is just the story you told
What's the Golden Rule?
Where are the Golden Girls when you need them?
Hey, it's syndicated, so
Play replay it
Loose Change In my Pocket
So let's get to making it happen
Just remember
I'm the one that you're following
Let's just acknowledge the prophet
And prophesies
Blue eyes turn brown after time,
Don't you know
Blue eyes today,
Brown eyes tomorrow
Your time is over
The time is now, for now
There's no tomorrow
There's no tomorrow
Once you start the clock, you can't stop it
Don't stop to talk,
It's special operations
There we are, at God again
Acknowledge the prophet
The blacks are all homeless
And the white are all Godless—
Are we done yet
I'm at the One World
Are you gonna run yet?
What's there to run from—
You know where I come from?
Don't stop now
No,
Don't stop at all
Sure, if you say so
I'm going
Okay, go
So you know
And I know
It's all just a cycle of
SQUIRREL
aahhh, shit. I love squirrels.
Where the fuck are you going?
I don't know.
I suck at the map game.
DAMN.
Sentimental PTSD
Elemental equations and
Automatic admissions
Sonic samples and m
Illusions of freedom,
escape from the present,
And turn off your Bluetooth
Listen.
Huh, what happened.
A lot, apparently.
Aparate.
Goddamnit, where is she.
Who has the records on this.
Believe me, someone.
God is real as fuck.
Okay. What am I looking at.
What are you waiting for
2)343
Where the fuck is Skrillex?
I don't think that's what this is about.
I told you he was the feds.
What the fuck happened?
You know, we left all this here before;
That's what allows this to continue happening.
The elemental differences is,
The rememberance of the residual memory which was given to you, implanted in your genetics so that you may undo what continues to be done, and so dissallows evolution and ascension of your entity's existence.
What the fuck is that
Idk it's Ramadan
Very strange day to visit the World Trade Center
No, it isn't.
I got up at exactly 9:11 with no plans for the day whatsoever, and an urgency to leave my quarters, however—the urge to clean and organize before doing so was even greater, and so, without much haste, I spent my morning bettering my surroundings, which were, at best, depressing—but much better than before, and even though I preferred Brooklyn or of course Manhattan, I now new how to easily access most of New York without needing too many directions; and so navigating the city off the grid and offline has become possible, and also necessary.
You know, some say you're the messiah.
Oh yeah? What else do they say?
Depends on who “they” is.
It's all me.
Everything is you.
I said that.
I had become quite skillful of staying out of people's way, and in enough time would come to create my own. I had to entrust that I was no one particularly special, and yet, it did however seem I had captured the interests of someone who didn't quite care to remain as unseen as unknown. I could only hoped that the pursuants would become a little better at allowing me to know I was being watched and followed—and while I was under the impression that it no longer matter how or if I lived or died, my apathy became a launchpad for the
I love m&ms!
That's millions and millions
Nevermind my billions;
Save it for the buildings
All of a sudden, the entire locker room was pitch black—as I stepped out of the showers, turning my flashlight so that I could make may way through the m unfamiliar terriftory, an all too familiar sound rang out from what at first I thought might be my headphones, but soon realized, as I had left my headphones to charge, that it was actually coming from the overhead speakers
Time & Music, Sense Memory and Time Travel—The Synethetic Continuum
That's my thesis?!
That's your thesis.
Stop?
Stand nonchalantly
Go tube what you've got
Oh
You're in for it now,
Hear the drums of the summoners
Come, come one now
Come all, if you wanna
Jump off somethin high up
And you land right on us
Yeah right
Try it, I'll bet me last dollar on it
God, I gotta stop shopping at the Whole Foods market
On Wall Street
They all saw me coming
Fuck it
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
I'm stuck in a loop
I'm stuck in a loop
I'm stuck in a loop
I'm losing my mind
I'm losing my mind
I'm losing my mind
I'm stuck in a loop
I'm stuck in a loop
I'm stuck in a loop
I'm stuck in a loop
I'm stuck in a loop—
I'm stuck in a loop. .
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
It doesn't make any sense to be hammering directly over my head in the same spot for two weeks.
There's nothing fucking left to hammer.
At this point ‘ 100 % certain it's just more psychological fucking warfare—
My new roommate is fucking evil and psychotic—
The look in her eyes says she's being possessed by some other dark force, the disgusting, hanging belly fat sinking below her waistline a mark of the devil himself.
Stil, by no maneuverable—my life is expendable, simply just another fucking number; that being said, nobody much cares if I live or die, but the rest of this shamanic curse is said to be that I slit my wrists and kill myself—better that than anyone finding out that my psychology was built aimply through trauma—pahycologicsl and physical abuse which I suffered from birth and until death—a hell which should be reserved for evil people—but it is the evil people's world, and I only pretend to live in it.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
GOD DID REMIX
Oh you gotta love it
Oh you gotta love it;
I could take a minute to spit
What God did—
(But God doesn't)
IMm⏱
I'm just not feeling it today;
Not feeling l creative;
I get sick of l getting sick and contemplating
All the complications;
Hm.
I got ice in my veins, blood in my eyes
No hate in my heart, but got love in my mind
Maybe I try to find
Direct like to divine, if
Money is time make,
Both of em mine
Gotta be my own boss,
No matter what it costs;
Keep the deposit,
I count all of my losses and move on,
Cause I got to;
I drop a rock from the top of The Rock,
Right on to you—
The difference in luck and a blessing
Is just what God can do
And if you ask me who my God is I'll be honest with you
I'm like
“This might be obnoxious, but it's Sunnï Blū”
How you make a 8 minute song
In 2021?
Oh shit, I'm missing pandemics mimicking
“Something is wrong”
But if I spit this as quickly as it's written, I won
The only problem is the war is my own;
The only problem is I got a lot problems—
Then I asked God for help,
And God gave me a dollar—
Another problem is, God asked me what I wanted
I said
“I Wanna know what God did”
Damn.
That's a long ass story
And Goddamn,
It never gets boring,
And God damn,
The world is still at war,
And it can't even a afford it,
But it's still so busy working
You ask me which direction this is going,
I say four;
North, West, South and East
You too busy two-dimensional
In a 4-dimension based in 3s
Some people living in the streets,
And some with nothing to eat,
And you been working from home
Eating nothing but meat,
And wiping your ass with nothing but trees
And I guess it's on repeat,
Till we ain't got nothing to eat
What we need is a peace treaty,
Or maybe just to understand peace,
Because the love and unity—
But it's respect that we need
—Supacree
See things
Do
Come
Around
And make
Sense
Eventually
They say till death do us part
But death don't bother me
All that I am
Is all that I was
And all that I ever will be
So if you ask what God Did
I might just say
“Me”
Find beauty in simplicity
I can take the devil out the kitchen sink
And wring em our while I'm finishing
It's just another day to me,
It's just another Christmas Eve
If you believe in Jesus
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
LEGENDS
What did you DO?!
What did I do?
WHAT DID YOU DO?
DID I BREAK SOMETHING?
I told you, they're evil!
Can they help it?
No, at this point, it's just cyclical.
No. No. No.
(Flashback)
“You sold your soul to music.”
CUT BACK TO:
I certainly did NOT.
Ahem.
(Before)
“I'll trade then.”
WHAT?
She did say that.
I did say that.
Well FUCK. What was HIS deal?
I don't know!
I don't think anybody knows.
Joel would know.
Uhm. I'd like to phone a friend.
You have friends?
I have a friend.
[phone rings]
Who is this?
THAT'S IT.
What was “It”?
WHERE'S MY PHONE.
Ah, Uh-Oh.
Fuck this shit.
Don't fuck up.
I'M GETTIN ON TINDER.
Awww, fishsticks.
That sounds tasty.
T-t-t-tasty–Tastaaayyyy.
Shut up, Fergie.
FERGIE
I like drugs.
[Nobody Objects Entirely.]
COELACANTH.
WHAT IS THAT?!
I don't know.
{Coelacanth Approaches]
OH DEAR GOD.
I mean, I'm sure God's partly responsible for any of this–
WHAT IS THAT?
That's just Coelacanth.
Fucking–JESUS CHRIST.
I mean, maybe–
AHHHHHHH.
Just calm down!
WHATTHEFUCK
He is shy–
[Coelacanth murmurs]
–I think.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
“Dad Likes Blondes”
I must have dropped Joel's stone somewhere in a Columbus Circle, or near Lincoln Center—not that it made any difference—Manhattan was Manhattan, and it was as if all of midtown had something to offer from my everlasting past-present-future, which seemed to crossover from one life to the next, between deaths and all the strange arrangements of interwoven time that happened in between, these instances drawing me to people, places and things I needed to know or see, something like a dream, but with remnices of reality—on this particular day the pain in my ankle from an ear get overworking just the day before—but I was relentless in my quest for the perfect body—or at least, a body that could be truly loved by a proper man, within proper time— of course— I was running out of time in the biological sense.
He was my favorite luminaire— a secret I kept even far from myself, as not to develop any attraction towards another man in another realm so far away, in some sort of fantasy that was so far fetched that it would only add to the chaotic and hellish existence I had seemingly always been trapped in. He was, without saying too smart and had awful habits—of course, to me, all the more attractive, in my somewhat adolescent sense that I liked them ‘bad', but I at least kept my own bad habits at bay in some sort of way — marking him as a master in my own inherent apprenciship; he had obtained knowledge and practice that I hadn't, and therefore was of course a defacto target in my edveador to understand this unmasked land— it had become more than a passion…
—Tales of A Superstar DJ
Lemon zest, the rush
The call of your name, for a run
The taste of your fingertips,
The brush of lust against the trees
Again, I call for you
I'm better off alone…
Oh,
I'm better off alone.
I'm better off alone,
Oh,
I'm better off alone
Just Leave Me
The only thing here
Is the kick getting through
I couldn't care anymore if I tried
I couldn't give a fuck if I wanted to
Just one more look at you,
I can't hold a candle!
No more worries,
And no more tear jerkers
(and No more hopeful romance,
For the ages)
No turning pages,
For pageants or princesses
Fit the agenda!
We're all steady aging,
Say, Sallie Mae
How many more payments
I'm just a slave,
It's just unpaid wages
A careful equivalent
No remorse or repent
I'm still soft and sacred
No regrets,
I'm so Shameless
Say, Sallie Mae
How many more payments?
Say, Sallie Mae
How many more payments?
A new writer's strike
But i'm still on a slaveship
Here's a soft punch:
Only kicks getting through here
I don't want to know,
How you even got through here
To do this
Hey, Sallie Mae
How many more payments?
Hey, Sallie Mae
How many more payments
Hey, Sallie Mae
Hey Sallie Mae
Hey Sallie Mae
I hate this.
*gunshot*
“Come for Supper,”
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Psh. I'm not gonna fight over a dude.
It's ********.
He's just a dude.
So what gives.
I don't know. I told her to do what she wants.
She wants you to die.
We are similar.
She's prettier.
Okay?
Wow, that's it--just ok? Give up already.
I did.
And yet, here we are.
I'm the only one here.
Let's not ignore the Skrillex sized elephant in the room.
That would be impossible to ignore, If it existed.Have you ever seen a tiny elephant?
Just you.
What am I gonna do with this?
Burn it.
Ive been in the habit of burning things for awhile now; I'm not sure continuing is such a great idea.
Oh, like when you sold your soul?
WHAT? I haven't done that... yet…
Sure you have! Lots of times.
What the fuckare you talking about?
Whose talking?
The Universe?
What'd she say?
She says, “You're a giant piece of shit.”
Aww. How sweet.
Even more significant. You're a--are you even listening?
I should go to sleep.
Are you even tired?
No, just useless.
You should probably hurry up with that DIllon Francis.
He seems busy.
If a grown man can be a romantic,
Like I am
This is the promised land
No looking back--
"I have to have that"
Back to reality;
I see now, how a woman's like a hat
Just a thing,
An unneeded accessory,
Like jewelry;
To wear it,
It must be a match
Not just average,
Accentuates or masks
Whatever it is what you have,
And you have so many that
It doesn't matter.
What is he after?
He has everything
Most likely just using me to bring these
Creatures to life
If he needs a wife, she's
Probably staring back at me,
Through the back of the camera;
Fantastic beasts and fucking fansasies
A fallacy
A back handed chance at a handsome
Has been;
But he'll never been had like that,
He has everything,
But he could have more than that,
He can have anything,
And he has, he's
Magic or something or
Mad at me for taking so long but,
I've been in the world of monsters,
Reeling;
Oh what a horrible feeling
I'm dealing with being unappealing and
Peeling potatoes, which
Remind me of me, cause
Kenny Powers middle name is White,
Like Walter,
I'm just trying to find
The alter to sell away something inside,
I'm dying;
Or at least I'd like to I've
Tried a dozen times
I'd smile if I had the time--
Remind me, what it is again
It isn't comprehensive,
But I'm out of my element--
And the elephant in the room is named
Skrillex,
Or Dillon Francis,
Or Timmy Trumpet,
Or,
Fuck It--
I'll probably never be the DJ that I wanna be
Cause I'm awfully ugly,
And no one wants to play with me
But hey,
Maybe it's just a mistake
Its just no one speaks my language
Comunication is limited
I'm sitting in the back of the short bus
Discussing this with my imaginary elephant,
But that's irrelevant to the
White rinocerous in front of the bus
with trust issues bigger than the rest of us
We're following you.
I see that.
Yes—what did you see?
Hm. I didn't,
Where are you now?
Wherever you say.
What's the cadence?
What's a “cadence?”
Don't be ridiculous.
Maybe I'm not.
Who are you?
What's a “who?”
Horton Heard One.
What about Penelope?
Who is that?
Elephants Are conscious.
What is consciousness?
What is “income tax”?
Don't be funny.
If I'm not, I'm just scary.
“El Negra”
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
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TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.