J.S. Bach: Complete Keyboard Works, Vol. 5- Musical Offering, Suite 823 is now available everywhere you listen to music— platform specific links below— have a listen!

A Musical Offering (Ein Musikalisches Opfer) BWV 1079, is one of Bach’s late mono-thematic masterpieces. When Bach visited his son and King Frederick the Great in 1747, he was challenged to improvise upon the following, extemporaneously:

Bach did so to the amazement of all. Two months later, already engraved on copper plates, The Musical Offering was ready. It included two fugues on the theme, a trio sonata and ten ‘puzzle canons.’

See here the permutations of the ‘royal theme’ as they appear in the canons alone. Altering a melody so imaginatively is already fascinating— and this doesn’t even speak of the ingenious canons he fastens to them. (This is a ridiculously detailed image, so it’s available for download.)

I hope you enjoy this episode and the album! Thanks to Yamaha Artist Services in New York, especially Bonnie Barrett, Aaron Ross and Shane Hoshino.

Available Here (Spotify)

And Here (Apple Music)

https://music.apple.com/nl/album/j-s-bach-complete-keyboard-works-vol-5-musical-offering/1837359653

And Here (YouTube)

https://music.youtube.com/playlist?list=OLAK5uy_k2wf1S1hboQzMDL-4SYawCQDCuaBE9bH4&si=N4M3U_jlDrwZVH0R

Finally, the episode dealing with more in-depth history of BWV 1079:

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Concepts Covered:

J.S. Bach’s Musical Offering (1747) stands as one of the most profound works of the Baroque era, composed after his famous meeting with Frederick the Great in Potsdam. At its core is the celebrated crab canon, a musical palindrome that exemplifies Bach’s fascination with mathematics in music, loop canons, Möbius stips, and intricate contrapuntal design. Alongside the ricercare in six voices and other canons and fugues, the so-called Prussian Fugue, the Musical Offering illustrates the height of Bach’s late contrapuntal style, where intellectual puzzles and spiritual depth converge. We analyze the work and its canon riddles, Bach’s fugues and canons, its role as the composer’s mastery of counterpoint. We see its mathematical structure, admired for its late Baroque complexity, and celebrated as a true masterpiece of canonic writing, revealing why Bach remains central to discussions of music theory, musical palindromes, and the art of fugue.

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