Depending on the time of year, 1974 is either a period of uncertainty in Billy Joel’s career, or the first signposts of the superstardom to come. 

He begins the year touring behind the Piano Man record, which ultimately falls off the charts. Record label execs then hurry Billy into the studio to record what he regards as its lackluster follow-up Streetlife Serenade. 

But by the end of 1974, Billy’s setting up for the success he’ll soon enjoy. Most notably, Doug Stegmeyer joins the band on the Streetlife Serenade tour. The bassist will go on to play with Billy for the next thirteen years. And, he’ll bring in many of the core members for Billy’s band in time for them to record and tour behind his next album, Turnstiles. 

Press clippings from this year feature some of the first mentions of ideas and themes that will blossom over the next few decades. Reviewers note his penchant for energetic live shows and theatrical songwriting. In interviews, Billy also discusses his aspirations toward classical composers.

It all adds up to a year that may seem low-key at first glance, but a closer look reveals the pieces falling into place for his upcoming reign at the top of the charts. 

Join us as we dig deep into Billy Joel in 1974.

• Post-episode note - Michael mentions October 1, 1974 as the release date of Streetlife Serenade. It looks like he accidentally left off a '1' form his notes. The correct release date of Streetlife Serenade is October 11, 1974.

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Produced by Michael Grosvenor & Jack Firneno for Glass Houses Media, LLC

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