With a pair of award-winning, chart-topping albums under his belt, Billy Joel entered A&R Recording in 1979 with the intention of abandoning the sound that made him a superstar. He did so by showcasing the musicians who were instrumental to his success. 

The result was Glass Houses. Released on March 12, 1980, the album lurched Billy out of the classically-informed, jazz-influenced, singer-songwriter idiom he’d cultivated over three releases. Written in the wake of Punk and New Wave, his first record of the decade was stripped down, guitar-focussed and often confrontational. 

Glass Houses was the second of Billy’s solo albums, and his first since 1976 to not use session musicians. With the backing  tracks recorded almost completely live, it put his tight knit backing band, now known as the Lords of 52nd Street, front and center. 

The stylistic shift yielded a platinum-selling record with a handful of Top Ten hits and concert staples to this day. It also set the precedent for Billy’s genre-hopping success throughout the 80s. But, in retrospect, it was an album that could have flopped, and one that could only have been successful in a brief timeframe. 

In our first of four episodes covering Glass Houses, we’ll explore the making of the record, from what was on the charts at the time, to how the songs evolved from rough demos to polished gems, and when and how the band put it all together. 

Join us as we dig deep into the making of Glass Houses. 

------

Email us: [email protected]

Glass Houses - A Billy Joel Podcast on the web / social media:

Support the podcast:

Produced by Michael Grosvenor & Jack Firneno for Glass Houses Media, LLC

Learn more about your ad choices. Visit megaphone.fm/adchoices