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In this episode of the SneakyArt Podcast, I spoke with British artist George Butler, who makes ink/watercolor drawings of people in conflict-zones and refugee camps all over the world. His latest book (Drawn Across Borders) tells the migration stories of 12 individuals, compiled from travels over the past decade. Modern reasons for migration, legal or otherwise, include political upheaval, civil strife, proxy wars, and, increasingly, climate change. But human migration, he argues, is a basic feature of human existence, and has been so for hundreds of thousands of years. In this respect, George and I talk about the importance of sharing individual stories. I ask him about drawing scenes that are not conventionally pretty, and whether it is possible to find art in such environments. This leads to a deeper discussion about the power of illustration - what the artist puts into it and what the viewer derives from it - and thus the broader purpose of what we call art.
- Follow George Butler on Instagram or visit his website to see his other work.
- To support my work, buy me a coffee. Also find here a downloadable extra commentary on interesting tangents from this episode, plus exclusive membership offers.
- Read a brief transcript of this conversation, on the podcast page.
- *NEW* Join the SneakyArt Podcast FB Group!
By Nishant Jain4.9
5353 ratings
In this episode of the SneakyArt Podcast, I spoke with British artist George Butler, who makes ink/watercolor drawings of people in conflict-zones and refugee camps all over the world. His latest book (Drawn Across Borders) tells the migration stories of 12 individuals, compiled from travels over the past decade. Modern reasons for migration, legal or otherwise, include political upheaval, civil strife, proxy wars, and, increasingly, climate change. But human migration, he argues, is a basic feature of human existence, and has been so for hundreds of thousands of years. In this respect, George and I talk about the importance of sharing individual stories. I ask him about drawing scenes that are not conventionally pretty, and whether it is possible to find art in such environments. This leads to a deeper discussion about the power of illustration - what the artist puts into it and what the viewer derives from it - and thus the broader purpose of what we call art.
- Follow George Butler on Instagram or visit his website to see his other work.
- To support my work, buy me a coffee. Also find here a downloadable extra commentary on interesting tangents from this episode, plus exclusive membership offers.
- Read a brief transcript of this conversation, on the podcast page.
- *NEW* Join the SneakyArt Podcast FB Group!

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