SUMMARY:
Our guest is nine-time Grammy nominee and two-time winner Janis Ian, who is best known for her classics “Society’s Child” and “At Seventeen,” both of which were inducted into the Grammy Hall of Fame. She joins us to chat about her long career and her latest studio album, The Light at the End of the Line.

PART ONE:
Scott and Paul talk about "We Don't Talk About Bruno" and the changing definition of how something becomes a hit. 

PART TWO:
Our in-depth conversation with Janis Ian

ABOUT JANIS IAN:
Though best known for the folk-tinged classic “At Seventeen,” Janis Ian is an artist whose musical creativity crosses several genres. The nine-time Grammy nominee and two-time winner first gained national attention at the age of 15 when her self-penned “Society’s Child” became a Top 20 Billboard pop hit in 1966. Produced by Shadow Morton, who had built a reputation as the producer of radio friendly girl groups like The Shangri-Las, the song took a new direction and tackled the considerably heavier and controversial topic of interracial romance. It was banned from radio and Janis was targeted with death threats.

After several albums for the Verve and Capitol labels, Janis signed with Columbia in the mid-1970s and found her greatest commercial success with the album Between the Lines. In addition to the Top 20 Adult Contemporary hit “In the Winter,” the album featured the chart-topping “At Seventeen.” Janis performed both songs as the musical guest on the very first episode of Saturday Night Live. On the strength of that LP she was nominated for Grammy awards for Song of the Year, Record of the Year, Album of the Year, and Best Pop Vocal Performance, the latter of which she won. Both “Society’s Child” and “At Seventeen” have since been inducted into the Grammy Hall of Fame. 

Other classics from the Janis Ian songbook include “Jesse,” which was a hit for Roberta Flack, and “Stars,” which has been recorded by Nina Simone, Cher, Shirley Basse, and Joan Baez. A truly international artist, Janis’s “Love is Blind” reached #1 in Japan, while “Fly Too High” topped the charts in South Africa and reached the Top 10 in Australia and the Netherlands. 

In the mid-1990s Janis launched her own label, Rude Girl Records. Her most recent release, The Light at the End of the Line, is Janis’s first album of new material in 15 years. She has announced it will be her final solo studio album. 

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