We've been celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, for our final "classic episode" of 2025, we're revisiting our 2020 conversation with "All I Want for Christmas" co-writer Walter Afanasieff. Happy holidays and thanks for a great year of looking back together as we continue to look toward the future!

ABOUT WALTER AFANASIEFF

Thirteen-time Grammy nominee and two-time winner Walter Afanasieff is best known for his collaborative songwriting and production partnership with Mariah Carey that yielded hit singles such as “Can’t Let Go,” “Dreamlover,” “Hero,” “Without You,” “Anytime You Need a Friend,” “Butterfly,” “My All,” and “One Sweet Day,” a duet with Boyz II Men that was named ASCAP Song of the Year. It hit #1 in December of 1995 and stayed there for sixteen weeks—a record that remained unbroken for more than two decades. Their “All I Want for Christmas is You” was released in 1994 and has since become a holiday standard. It hit #1 on Billboard’s pop chart for the first time in 2019, giving Walter and Mariah the world record for the longest period of time between a song’s original release and its arrival at the top of the chart.  

In addition to his success with Carey, Afanasieff carved out a formidable reputation as a go-to producer of hit movie songs. After co-writing and co-producing the Gladys Knight single “License to Kill” from the James Bond film of the same name, he went on to produce “Beauty and the Beast,” “A Whole New World” from Aladdin, “Even If My Heart Would Break” from The Bodyguard, and “My Heart Will Go On” from Titanic, which became the best-selling single in the world for 1998. Additionally he produced “Some Day” from The Hunchback of Notre Dame and the Academy Award nominated “Go the Distance” from Hercules.

Other hits from the Walter Afanasieff songbook include “Can You Stop the Rain,” a #1 R&B single for Peabo Bryson that earned a Grammy nomination for Best R&B Song, “Missing You Now,” a #1 Adult Contemporary hit for Michael Bolton, “If You Go Away,” a Top 20 single for New Kids on the Block, Savage Garden’s #1 pop single “I Knew I Loved You,” and Ricky Martin’s massive global hit “She Bangs.”

The long list of additional artists Walter has written and produced music for includes Michael Jackson, Lionel Richie, Luther Vandross, Destiny's Child, Kenny G, Andrea Bocelli, Johnny Mathis, Kenny Loggins, Barbra Streisand, Christina Aguilera, Marc Anthony, Babyface, and Josh Groban.  

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GRAMMY winner and Nashville Songwriters Hall of Famer Mike Reid chats about his remarkable musical life. 

PART ONE
Scott and Paul talk about the sports games and so much more

PART TWO
Our in depth conversation with Mike Reid

ABOUT MIKE REID

Nashville Songwriters Hall of Famer Mike Reid has written twelve #1 country songs and has had his work recorded by Bonnie Raitt, Anita Baker, Bette Midler, Prince, George Michael, Nancy Wilson, Etta James, Kenny Rogers, Ann Murray, Wynonna Judd, Alabama, Joe Cocker, Tanya Tucker, Willie Nelson, Collin Raye and Tim McGraw. He is perhaps best known for co-writing the modern-day standard “I Can’t Make You Love Me” with Allen Shamblin. 

Launching his music career as a staff songwriter for country star Ronnie Milsap’s publishing company, Reid penned Milsap hits such as “Stranger in My House,” which won a Grammy for Best Country Song” and “Lost in the Fifties Tonight,” which was named ASCAP’s Country Song of the Year. As an artist, Mike signed with Columbia Records and scored a #1 hit with the self-penned “Walk on Faith.”

Others who’ve recorded Reid’s songs include Tammy Wynette, Rita Coolidge, Don Williams, Billy Dean, Josh Turner, Shelby Lynne, The Judds, George Jones, and Shania Twain. A true Renaissance man, Reid went on to compose theatrical and operatic works, winning a Richard Rodgers Development Award from the Academy of Arts and Letters for 1997's The Ballad of Little Jo. His most recent project is a collaborative album with Joe Henry called Life and Time.
 

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Elvis Costello. 

ABOUT ELVIS COSTELLO

Released between 1977 and 1979, Elvis Costello’s first three albums—My Aim is True, This Year’s Model, and Armed Forces—were all included in Rolling Stone magazine’s list of the 500 Greatest Albums of All Time. That early period of his recording career yielded now-classic singles such as “Alison,” “Watching the Detectives,” “Pump it Up,” “Radio Radio,” “Oliver’s Army,” “Accidents Will Happen,” and others.

Though he established his career as a rock artist and reached commercial heights in the US with the pop hit “Everyday I Write the Book,” Costello’s more than thirty studio albums cover a breathtaking range of stylistic ground, from Almost Blue, his early 1980s album of country covers, to The Juliet Letters, his 1993 collaboration with The Brodsky Quartet, to North, an album of ballads partially inspired by his wife Diana Krall that topped Billboard’s Jazz chart in 2003, to Il Sogno, his first full-length orchestral work, which was performed by the London Symphony Orchestra, and topped Billboard’s classical chart in 2004, to Wise Up Ghost, a 2013 collaboration with Questlove and The Roots. In between, he’s continued to release albums both solo and with his bands The Attractions, The Imposters, and The Sugarcanes. 

Always an adventurous collaborator, Costello entered into a fruitful songwriting partnership with Paul McCartney that yielded more than a dozen songs, including Costello’s Top 10 single “Veronica” and McCartney’s “My Brave Face.” He went on to release entire collaborative albums with Richard Harvey, Burt Bacharach, Allen Toussaint, and others. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson, as well as musical settings for lyrics by Johnny Cash and Bob Dylan. His songs have been covered by a range of artists including George Jones, Chet Baker, Dusty Springfield, and Solomon Burke. 

Costello has been nominated for fourteen Grammy awards, two of which he won, as well as an Academy Award for co-writing “The Scarlet Tide” with T-Bone Burnett for the film Cold Mountain. He has received two Ivor Novello awards for Songwriting, the Americana Music Association’s Lifetime Achievement in Songwriting award, and the ASCAP Founder’s Award, which was presented by Burt Bacharach. He was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and was named one of the 100 Greatest Songwriters of All Time by Rolling Stone magazine. His genre-stretching new album, Hey Clockface, was recorded in Helsinki and Paris, and was released on October 30. 

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Grammy-winning producer and singer-songwriter Joe Henry gives us insight into his multi-faceted career

PART ONE
Paul and Scott chat about their music-themed road trip and say R.I.P. to MTV. 

PART TWO
Our in-depth conversation with Joe Henry

ABOUT JOE HENRY
Joe Henry is a singer-songwriter who became a record producer as a protege of T Bone Burnett. He went on to win Grammy awards for his work with Solomon Burke, Ramblin’ Jack Elliott, The Carolina Chocolate Drops, and Bonnie Raitt. Additionally, he produced the final albums of the late Allen Toussaint, who credited Henry for ushering him out of retirement. Henry’s contribution to American music remains somewhat enigmatic. Joe’s own records often feature adventurous contributions by instrumentalists, such as one of only two cameos Ornette Coleman ever made with a singer, while his song “Stop” was reworked into Madonna’s hit pop single, “Don’t Tell Me.” The long list of artists Joe has produced includes Ani DiFranco, Aimee Mann, Bettye LaVette, Elvis Costello, Rodney Crowell, Aaron Neville, Hayes Carll, Joan Baez, The Milk Carton Kids, Rhiannon Giddens, and many others. As a songwriter he has collaborated with Rosanne Cash, Jakob Dylan, Loudon Wainwright III, Billy Bragg, Madonna, and many more, while releasing 17 studio albums as an artist. He received a Lifetime Achievement Award at the Americana Music Honors & Awards in 2025. Joe’s most recent album is Life and Time, a collaborative project with fellow songwriter Mike Reid. 

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with the late Todd Snider. 

ABOUT TODD SNIDER

Celebrated singer-songwriter Todd Snider has continued the troubadour legacy of mentors like John Prine, Jerry Jeff Walker, and Ramblin’ Jack Elliott, while putting his uniquely clever, wry, sly, and often irreverent spin on folk, rock, country, and Americana. Launching his career on Jimmy Buffett’s Margaritaville Records, Snider has spent more than two decades touring relentlessly, both on his own and with legendary artists such as Emmylou Harris. Along the way he’s made a splash with fan favorite songs such as “Talking Seattle Grunge Rock Blues,” “Alright Guy,” “Can’t Complain,” “Beer Run,” “Statistician’s Blues,” and “Play a Train Song.” He has released well over a dozen albums, including The Devil You Know and Agnostic Hymns and Stoner Fables, both of which were named to Rolling Stone’s list of the Top 50 Albums of the Year. He also formed the group Hardworking Americans, and published a memoir called I Never Met a Story I Didn’t Like: Mostly True Tall Tales. His songs have been covered by Garth Brooks, Gary Allan, Mark Chesnutt, Tom Jones, Jerry Jeff Walker, Billy Joe Shaver, Elizabeth Cook, Warren Haynes, Loretta Lynn, and Elvis Costello. When we first spoke to him he'd recently released his experimental funk-influenced album called First Agnostic Church of Hope and Wonder. Snider died from complications with pneumonia on November 14, 2025. 

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Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  

PART ONE:
Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. 

PART TWO:
Our in-depth conversation with the legendary Bootsy Collins

ABOUT BOOTSY COLLINS:
Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B’s most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown’s backup band, The J.B.'s. He was credited as a songwriter on classic J.B.’s songs such as “The Grunt” and “These Are the J.B.’s.” In 1972, he joined George Clinton’s Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy’s Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I’d Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino’s Grammy-winning platinum hit “Redbone,” which paid homage to “I’d Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer. 

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx. 

ABOUT RICHARD MARX:

Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban’s debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song’s performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.”  

Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don’t Mean Nothing,” “Should’ve Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989’s Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.” 

In addition, Richard’s songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo’s Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis. 

Over the course of his career, Richard’s songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others. 

His memoir, Stories to Tell, is available from Simon & Shuster. 
 

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From "King Tut" to the top of the bluegrass charts! Grammy and IBMA award-winning banjoists and songwriters Steve Martin and Alison Brown join us to chat about their respective careers and their first full-length collaborative album, Safe, Sensible and Sane. 

PART ONE
Paul and Scott chat about how impressed they are with all the various hats Alison Brown and Steve Martin wear, while also trying to wrap their heads around the seeming complexity of the banjo. 

PART TWO
Our in-depth conversation with Steve Martin and Alison Brown

ABOUT STEVE MARTIN AND ALISON BROWN

Though he began his career as a stand-up comedian, Steve Martin has released more musical albums than comedy albums. Between 2009 and 2017 he issued six, many of which were collaborations with Steep Canyon Rangers, Edie Brickell, or both. They all reached number one on the bluegrass chart, and nearly all appeared on the Billboard 200. He has been nominated for 15 Grammy awards and has won five, including Best American Roots Song, Best Bluegrass Album, and Best Country Instrumental Performance for his appearance on “Foggy Mountain Breakdown” alongside Earl Scruggs, Vince Gill, Albert Lee, and Glen Duncan on the 2001 album Earl Scruggs and Friends. Martin’s latest album, his seventh bluegrass chart topper, is called Safe, Sensible and Sane, and is a collaboration with fellow banjoist Alison Brown.

Brown first came to prominence as a member of Alison Krauss and Union Station and, in 1991, became the first woman to win the International Bluegrass Association’s Banjo Player of the Year award. After a stint as Michelle Shocked’s band leader she launched a solo career blending bluegrass, jazz, Latin, and Celtic influences. She has received two Grammy nominations for Best Bluegrass Album, and two for Best Country Instrumental Performance, one of which she won for “Leaving Cottondale,” a collaboration with Bela Fleck. In 2015 Alison received the Distinguished Achievement Award from the International Bluegrass Music Association for the furtherance of bluegrass music. She and Martin first collaborated on “Foggy Mountain Breaking” from her 2023 album, On Banjo. 

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We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.

ABOUT DAVID PORTER 
Named one of Rolling Stone magazine’s “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis’s legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can’t See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don’t Know Like I Know,” “You Got Me Hummin’,” “Hold On! I’m Comin’” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who’ve covered Porter’s songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005. 

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Grammy-winning singer/songwriter Shawn Camp pulls back the curtain on his varied career, including his latest album of songs that were composed with the legendary Guy Clark.

PART ONE
Scott and Paul talk about how technology is changing the songwriting game, and other old man complaints. 

PART TWO
Our in-depth conversation with Shawn Camp  

ABOUT SHAWN CAMP
Singer/songwriter Shawn Camp has written chart-topping hits such as “Two Pina Coladas” by Garth Brooks, “How Long Gone” by Brooks & Dunn, “Would You Go With Me” by Josh Turner, and “River of Love” by George Strait. Additionally, he has written charting singles for Blake Shelton, Billy Currington, Hal Kechum, Wade Hayes, the duo of Sammy Kershaw and Lorrie Morgan, and others. With a foundation in bluegrass and roots music, Shawn became a trusted collaborator of legends such as Loretta Lynn, Guy Clark, and John Prine. He wrote two songs, including the title track, of Willie Nelson’s 2022 album, A Beautiful Time, which won the Grammy for Country Album of the Year. Camp has also earned Grammy awards for his production work on Guy Clark’s final album, My Favorite Picture of You, and for his work as a member of the bluegrass group The Earls of Leicester. Other artists who’ve recorded Shawn Camp songs include Randy Travis, Patty Loveless, Alan Jackson, Kenny Chesney, Rhett Akins, Gary Allan, John Anderson, Gene Watson, Porter Wagoner, and Emmylou Harris. Shawn’s latest album as a solo artist—his first in almost 20 years—is The Ghost of Sis Draper. The theme album is based around a collection of songs co-written with Guy Clark and is available on Truly Handmade Records, which is dedicated to preserving and building upon Clark’s legacy. 

 

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