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PUBLIC VERSION. Filmmaker Jack Sholder (A NIGHTMARE ON ELM STREET 2, THE HIDDEN, ARACHNID, WISHMASTER 2) joins Adam and Joe to discuss his career journey. From his beginnings in entertainment as a trumpet player… to his obsession with cinema leading to his eventual career path working as an editor on such classics as THE BURNING (1981)… to becoming a feature director wrangling the “interesting” character that is Jack Palance in the cult-classic ALONE IN THE DARK (1982)… to his stories from the making of 1985’s A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE (the “tongue” story is a particular gem)… to his particular choice of lens sizes when crafting one of the best car chases from the 80’s in THE HIDDEN (1987)… to what it was like directing the late James Earl Jones in his acclaimed HBO movie BY DAWN’S EARLY LIGHT (1990)… there’s a good reason why Jack was one of the most consistent working directors in the fledgling New Line Cinema roster!
4.8
415415 ratings
PUBLIC VERSION. Filmmaker Jack Sholder (A NIGHTMARE ON ELM STREET 2, THE HIDDEN, ARACHNID, WISHMASTER 2) joins Adam and Joe to discuss his career journey. From his beginnings in entertainment as a trumpet player… to his obsession with cinema leading to his eventual career path working as an editor on such classics as THE BURNING (1981)… to becoming a feature director wrangling the “interesting” character that is Jack Palance in the cult-classic ALONE IN THE DARK (1982)… to his stories from the making of 1985’s A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE (the “tongue” story is a particular gem)… to his particular choice of lens sizes when crafting one of the best car chases from the 80’s in THE HIDDEN (1987)… to what it was like directing the late James Earl Jones in his acclaimed HBO movie BY DAWN’S EARLY LIGHT (1990)… there’s a good reason why Jack was one of the most consistent working directors in the fledgling New Line Cinema roster!
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