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Ian Blurton discusses the ambitious production, metal/punk rock sound, chorus of voices, and intricate lyricism on Second Skin by Ian Blurton’s Future Now, using the Rolling Stones Mobile Studio, Neil Young’s gear, and Randy Bachman’s vintage guitars, Blue Rodeo drummer Glenn Milchem’s ferocious double kick, Toronto the good, album art and the different Canadian and U.S.Second Skin vinyl, playing a show, new songs, future plans, and more. Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
By Vish Khanna / Entertainment One (eOne)4.5
249249 ratings
Ian Blurton discusses the ambitious production, metal/punk rock sound, chorus of voices, and intricate lyricism on Second Skin by Ian Blurton’s Future Now, using the Rolling Stones Mobile Studio, Neil Young’s gear, and Randy Bachman’s vintage guitars, Blue Rodeo drummer Glenn Milchem’s ferocious double kick, Toronto the good, album art and the different Canadian and U.S.Second Skin vinyl, playing a show, new songs, future plans, and more. Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.

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