Mat Gleason, Los Angeles-based creator of the infamous zine Coagula, and owner of Chinatown gallery Coagula Curatorial, speaks in quintessentially outspoken fashion about:

How people in the art world are so committed to being neutral, and unwilling to speak their mind frankly out of a fear of going on the record and being tied to that position; his position not to be jaded manifesting as, "if I'm going to trash something, I'm going to trash it…"; how Coagula started as a "punk zine for the art world," in 1992, and which became his entry into the art world; how as he became more enmeshed in the art world over time, he found himself having to be more careful about whom he trashed in print (or otherwise); how he and his friends decided to try and loot MOCA during the L.A. riots; one of his most illustrious and hated writers for Coagula, Charlie Finch, based in New York, who was(is) the ultimate character; the lawsuit for libel against Coagula, one year into its run, that he had to face and endure, from a former employee of Threadwaxing Space who Coagula had written about regarding alleged embezzlement (though 'alleged' was missing from the article), taking eight years to go to trial…though it cost him 30K in legal fees, he got a lot of media attention for Coagula out of it; why he decided to fight the lawsuit, which helped him decide that Coagula was his most important and successful endeavor after numerous failures, and that he needed to fight for it; how and why he started his gallery Coagula Curatorial (print was dead, information was free…); how there really isn't any purity in the art world, and every relationship worth its mettle is a conflict of interest to some degree; how to sign artists to your program who aren't flakes (and what the definition of "flake" is in L.A. vs. New York); and how if his interns were in his place of running a gallery, "they would never hire me…"