In part 3 of 3 from the Donum Estate winery in Sonoma, Kristen Haring, technology writer, Keith Haring Foundation board member and youngest sister of the late Keith Haring, talks about:

Her work with the Foundation, which was started in 1989, and how Keith came to set it up out of his involvement in charities, including making logos for several organizations; her relationship with Keith (who was 12 years older), which was emphasized by his wanting to be a big influence on her, and later his wanting her to have her own life, separate from his career and Foundation; her experiences going in and out of the art world (as a non-art person), which she often finds bizarre, and describes as feeling like an anthropologist, and which started as early as when she was 11, when the family would go into the city from Pennsylvania for Keith’s openings; Keith’s concerns about economic disparity generally, and specifically in the form of collectors who would own his work to the exclusion of the public, and in turn, his efforts to make his work available to as many people who wanted it as possible, including through his Pop Shop, which, as opposed to criticisms of his being a sell-out, was in fact only profitable 2 of its 19 years;  Keith’s interest in becoming famous, which Kristen found unappealing…in fact, her exposure to celebrity through Keith’s access made her move towards a desire to have a private life; and Keith’s 25-foot-tall steel sculpture, “King and Queen,” installed at Donum Winery.