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Simon Leung, Los Angeles-based artist and head of UC Irvine’s MFA program, talks about:
His 25-year relationship with Warren Niesłuchowski and Simon’s film, “War after War,” which is about Warren’s nomadic life; Warren’s background as a child of holocaust refugees, thru his experience of May ’68 in Paris, being part of the experimental theater world, becoming a war deserter, to the realities of his moving from place to place and city to city, relying on the kindness of friends and acquaintances who host him; Simon’s circuitous route to becoming a professor, without getting an MFA; what he himself advocates for undergrads who are thinking about grad school; how he compares his status as a UC professor to being a Roman senator, in the sense of his feeling of security amongst the crowd; and his performance piece “Actions!,” which performed at MoMA and then re-performed with a new script at the Hammer Museum (Actions! Adjuncts!), both forms of worker’s theater borne out of Simon’s identification with the museum workers’ strike, and whose scripts came out of his conversations with them.
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252252 ratings
Simon Leung, Los Angeles-based artist and head of UC Irvine’s MFA program, talks about:
His 25-year relationship with Warren Niesłuchowski and Simon’s film, “War after War,” which is about Warren’s nomadic life; Warren’s background as a child of holocaust refugees, thru his experience of May ’68 in Paris, being part of the experimental theater world, becoming a war deserter, to the realities of his moving from place to place and city to city, relying on the kindness of friends and acquaintances who host him; Simon’s circuitous route to becoming a professor, without getting an MFA; what he himself advocates for undergrads who are thinking about grad school; how he compares his status as a UC professor to being a Roman senator, in the sense of his feeling of security amongst the crowd; and his performance piece “Actions!,” which performed at MoMA and then re-performed with a new script at the Hammer Museum (Actions! Adjuncts!), both forms of worker’s theater borne out of Simon’s identification with the museum workers’ strike, and whose scripts came out of his conversations with them.
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