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Nick Ravich, director of production for Art21 in New York, talks about:
His approach as both a producer and a director of Art21 artist docs, which are produced in both shorter form as well as longer form on their most well-known platform, Art in the 21st Century, which is broadcast on PBS; the variation in artists’ approaches and responses to being subjects of Art21, and how inevitably they’re often made to be vulnerable, at the least by having a camera on them in their studio for an entire day (if not more); how Art21 survives as an institution, particularly with all of the other video-about-contemporary-art platforms that have sprung up since they launched; the affirmative dynamic Art21 has towards its artists, and how the process of choosing artists works (the artists almost always say yes); a bizarre experience he had with the photographer Kay Grannan when they were on a shoot and staying at a Las Vegas motel off the strip; and Nick launches into an insightful analysis of the differences between podcasts and video in terms of to what extent someone (artists in particular) will open up.
By Michael Shaw4.5
252252 ratings
Nick Ravich, director of production for Art21 in New York, talks about:
His approach as both a producer and a director of Art21 artist docs, which are produced in both shorter form as well as longer form on their most well-known platform, Art in the 21st Century, which is broadcast on PBS; the variation in artists’ approaches and responses to being subjects of Art21, and how inevitably they’re often made to be vulnerable, at the least by having a camera on them in their studio for an entire day (if not more); how Art21 survives as an institution, particularly with all of the other video-about-contemporary-art platforms that have sprung up since they launched; the affirmative dynamic Art21 has towards its artists, and how the process of choosing artists works (the artists almost always say yes); a bizarre experience he had with the photographer Kay Grannan when they were on a shoot and staying at a Las Vegas motel off the strip; and Nick launches into an insightful analysis of the differences between podcasts and video in terms of to what extent someone (artists in particular) will open up.

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