This episode of The Conversation we discuss the profile of artist Jordan Wolfson in the March 16  issue of The New Yorker magazine by Dana Goodyear, which in part follows a thread Deb and I talked about in a recent episode about social justice and censorship in contemporary art; because neither of us have actually experienced Wolfson’s work in person, we focus on the story arc of Wolfson’s career as portrayed in the piece, as well as the context in which the art has been received; in remarking on the way Wolfson’s work has been described as capturing certain sensibilities of the internet, Deb says that “so much of internet culture is like a different kind of internalized road rage;” Deb talks a bit about the Netflix movie Velvet Buzzsaw, in which Wolfson’s work is quoted; and we wrap things up by discussing the phenomenon of artists who are ‘cranking work out,’ including when they say ‘no’ when asked for greater production, when it makes sense to make that extra work for vital art fair opportunities, and being grateful for being on the ‘carousel’ (as Deb calls it) in the first place.