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In part two, Brooklyn-based artist and activist William Powhida talks about the ivory tower syndrome that accompanies working at an ivy-league institution, his project Store-To-Own, which allows people to store his work in their home for free under contract, his exhibition After The Contemporary, which satirizes life after contemporary art, his ongoing critique of the art world and its service to and for the ultra wealthy, and the 'Dirtbag left,' which promotes left-wing politics through vulgarity and online attacks.
By Michael Shaw4.5
252252 ratings
In part two, Brooklyn-based artist and activist William Powhida talks about the ivory tower syndrome that accompanies working at an ivy-league institution, his project Store-To-Own, which allows people to store his work in their home for free under contract, his exhibition After The Contemporary, which satirizes life after contemporary art, his ongoing critique of the art world and its service to and for the ultra wealthy, and the 'Dirtbag left,' which promotes left-wing politics through vulgarity and online attacks.

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