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Artist, choreographer and former ballet dancer Madeline Hollander talks about her brief but dramatic professional ballet career and her subsequent transition into becoming a visual artist via choreography and performance; her project Flatwing, a search for the elusive silent/chirp-less crickets on the island of Kauai, which led to a deep dive into evolutionary biology and a video that's being exhibited as part of an installation at the Whitney Museum; the turning points that led to her being included in the Whitney Biennial and now to have this solo exhibition at the museum; the pros and cons of working in the still-nascent niche of dance/choreography in contemporary art; and how the decision to invest in the Masters program at Bard College has already paid off.
By Michael Shaw4.5
252252 ratings
Artist, choreographer and former ballet dancer Madeline Hollander talks about her brief but dramatic professional ballet career and her subsequent transition into becoming a visual artist via choreography and performance; her project Flatwing, a search for the elusive silent/chirp-less crickets on the island of Kauai, which led to a deep dive into evolutionary biology and a video that's being exhibited as part of an installation at the Whitney Museum; the turning points that led to her being included in the Whitney Biennial and now to have this solo exhibition at the museum; the pros and cons of working in the still-nascent niche of dance/choreography in contemporary art; and how the decision to invest in the Masters program at Bard College has already paid off.

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