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For our third episode, Reel Notes welcomes rappers billy woods and Elucid, also known as the duo Armand Hammer. We talk about woods’s childhood memories of watching American cinema while living in Zimbabwe; Elucid’s affinity for short stories; some pretty damn hot takes on the work of the late John Singleton; the abstract magic of Ghostface Killah; and the creative process behind their latest album HARAM, produced entirely by The Alchemist.
Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, Medical Aid for Palestinians, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!
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By Dylan ”CineMasai” Green5
1919 ratings
For our third episode, Reel Notes welcomes rappers billy woods and Elucid, also known as the duo Armand Hammer. We talk about woods’s childhood memories of watching American cinema while living in Zimbabwe; Elucid’s affinity for short stories; some pretty damn hot takes on the work of the late John Singleton; the abstract magic of Ghostface Killah; and the creative process behind their latest album HARAM, produced entirely by The Alchemist.
Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, Medical Aid for Palestinians, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!
Support the show

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