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A wish-fulfilment fantasy for pubescent boys of all ages, or a subtle disquisition on the ethics of a sorcerous world? John Milius' Conan the Barbarian (1982) manages to be both, although one may be easy to overlook. In this episode, JF and Phil leave the heights of Hesse's The Glass Bead Game with a headlong dive to the trash stratum. Their wager: that Conan the Barbarian, a film without a hint of irony, is a spiritual statement that is equal parts empowering and disquieting, and a prime of example of how fantasy is sometimes the straightest way to the heart of reality.
REFERENCES
John Milus (dir.), Conan the Barbarian (1982)
Learn more about your ad choices. Visit megaphone.fm/adchoices
By SpectreVision Radio4.8
586586 ratings
A wish-fulfilment fantasy for pubescent boys of all ages, or a subtle disquisition on the ethics of a sorcerous world? John Milius' Conan the Barbarian (1982) manages to be both, although one may be easy to overlook. In this episode, JF and Phil leave the heights of Hesse's The Glass Bead Game with a headlong dive to the trash stratum. Their wager: that Conan the Barbarian, a film without a hint of irony, is a spiritual statement that is equal parts empowering and disquieting, and a prime of example of how fantasy is sometimes the straightest way to the heart of reality.
REFERENCES
John Milus (dir.), Conan the Barbarian (1982)
Learn more about your ad choices. Visit megaphone.fm/adchoices

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